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"'I listen to a piece and ask myself what has made the greatest impression on me. What has moved me the most about it, what has excited me the most, what it is I want to write about, what sets my mind working, what sets off my imagination.' derrick Puffett's description to a grou...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Puffett, Derrick
Otros Autores: Puffett, Kathryn
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Routledge, 2016.
Temas:
Music > History and criticism.
Musique > Histoire et critique.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
Music
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part PART I: THE ANALYST SPEAKS
  • chapter 1 Editorial: In Defence of Formalism
  • chapter 2 Schenker's 'Eroica'
  • part PART II: LINER AND PROGRAMME NOTES
  • chapter 3 Wagner: Overtures and Orchestral Music
  • chapter 4 Richard Strauss: Tod und Verkliirung and Don Quixote
  • chapter 5 Richard Strauss: Symphonia Domestica and Parergon
  • chapter 6 The 'Tawdriness' of Salome
  • part PART III: ENGLISH MUSIC
  • chapter 7 A Nietzschean Libretto: Delius and the Text for A Mass of Life
  • chapter 8 In the Garden of Fand: Arnold Bax and the 'Celtic Twilight'
  • chapter 9 The Fugue from Tippett's Second String Quartet
  • chapter 10 Tippett and the Retreat from Mythology
  • chapter 11. an Analytical Offering (A.G. 1992). On Goehr's Homage to Bach
  • part PART IV: RUSSIAN AND FRENCH MUSIC
  • chapter 12 A Graphic Analysis of Musorgsky's 'Catacombs'
  • chapter 13 Eight Bars of Stravinsky: The Septet Revisited
  • chapter 14 Debussy's Ostinato Machine
  • part PART V: OPERA
  • chapter 15 Siegfried in the Context of Wagner's Operatic Writing
  • chapter 16 Schoeck's Operas: A Question of Genre
  • chapter 17 Some Reflections onLiteraturoper
  • chapter 18 Berg and German Opera
  • chapter 19 Salome: an Introduction
  • chapter 20 Images of Salome
  • chapter 21 Strauss's Scenario for the 'Dance of the Seven Veils'
  • chapter 22 Salome as Music Drama
  • chapter 23 Elektra: Beginnings
  • chapter 24 The Music of Elektra: Some Preliminary Thoughts
  • chapter 25 An Introduction to der Rosenkavalier
  • part PART VI: VIENNA
  • chapter 26 Transcription and Recomposition: The Strange Case of Zemlinsky's Maeterlinck Songs
  • chapter 27 A Notational Peculiarity in Early Webem and its Implications
  • chapter 28 Gone with the Summer Wmd; or, What Webem Lost
  • chapter 29 'Music that Echoes within One' for a Lifetime: Berg's Reception of Schoenberg's Pelleas und Melisande
  • chapter THEMATIC ANALYSIS
  • chapter EPILOGUE
  • chapter 30 Berg, Mahler and the Three Orchestral Pieces, Op. 6
  • part PART VII: GERMAN MUSIC
  • chapter 31 'Lasser die Musi, wo sie ist': Pitch Specificity in Strauss
  • chapter 32 Bruckner's Way: The Adagio of the Ninth Symphony
  • chapter Sources.

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