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OCoLC |
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20240329122006.0 |
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m o d |
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cr |n|---||||| |
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170708s2017 xx o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d MERUC
|d IDB
|d OCLCQ
|d YDX
|d OCLCQ
|d LOA
|d OCLCO
|d OCLCF
|d K6U
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
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| 019 |
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|a 992786076
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|a 9781683920403
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|a 1683920406
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1 |
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|a AU@
|b 000069467706
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|a (OCoLC)993080433
|z (OCoLC)992786076
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| 050 |
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4 |
|a NC1002.S85
|b .T678 2017eb
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| 082 |
0 |
4 |
|a 791.43023
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Torta, Stephanie.
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| 245 |
1 |
0 |
|a Storyboarding :
|b Turning Script into Motion.
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| 250 |
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|a 2nd ed.
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| 260 |
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|a Bloomfield :
|b Mercury Learning & Information,
|c 2017.
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| 300 |
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|a 1 online resource (385 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Digital Filmmaker Ser.
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| 588 |
0 |
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|a Print version record.
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| 505 |
0 |
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|a Title Page; Copyright; Acknowledgements; Contents; Introduction; Part 1: The Storyboard; Chapter 1 -- A Brief Background on Storyboards; 1.1 -- What are storyboards?; 1.2 -- Is there only one type of storyboard?; 1.3 -- Why use storyboards? What makes them important?; 1.4 -- What is portrayed in a storyboard?; 1.5 -- Are storyboards different for animated movies or in different fields?; 1.6 -- How are storyboards evolving for the future?; Summary; Review Questions; Discussion / Essay Questions; Applying What You've Learned; Chapter 2 -- Producing the Storyboards.
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| 505 |
8 |
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|a 2.1 -- Where to start a storyboard project?2.2 -- Who should be involved?; 2.3 -- What information needs to be gathered?; 2.4 -- Understanding the shot list; 2.5 -- Common types of camera shots; 2.6 -- Descriptions and examples of common camera shots; 2.7 -- How detailed do the storyboard drawings have to be?; 2.8 -- Who benefits from storyboards and why?; Summary; Review Questions; Discussion / Essay Questions; Applying What You've Learned; Part 2: The Project Overtime; Chapter 3 -- Preproduction; 3.1 -- Information gathering; The Overtime script without notation; The Overtime shot list unmarked.
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| 505 |
8 |
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|a Location diagrams. Talent and location photographsProp and wardrobe list for the project Overtime; A director meeting with the storyboard artist during preproduction; 3.2 -- Refining the information; The Overtime script with director notation; The script to rough storyboard comparison; The shot list to storyboard comparison; Location and talent photographs to storyboard comparison; Prop and wardrobe photographs to storyboard comparison; Summary; Review Questions; Discussion / Essay Questions; Applying What You've Learned; Chapter 4 -- Production; 4.1 -- Day of the shoot for short film, Overtime.
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| 505 |
8 |
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|a 4.2 -- Storyboard-to-actual shot comparison4.3 -- Updated boards because of on-set changes; 4.4 -- The shot list-to-film comparison; 4.5 -- Cast and crew credits for Overtime; Summary; Review Questions; Discussion / Essay Questions; Applying What You've Learned; Part 3: Additional Uses and Technology; Chapter 5 -- Storyboards in Video Gaming, Motion Graphics, and E-Learning; 5.1 -- Storyboard use in Video Gaming; 5.2 -- Storyboard use in Motion Graphics; 5.3 -- Storyboard use in Animatics and Motion Comics; 5.4 -- Storyboard use in Electronic Learning; Summary; Review Questions.
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| 505 |
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|a Discussion / Essay QuestionsApplying What You've Learned; Chapter 6 -- Technology Used in Creating Storyboards; 6.1 -- Conceptualizing for visual effects (VFX); 6.2 -- Digital creation with graphic touch tablets and screens; 6.3 -- Computer applications for storyboard and animatic rendering; Summary; Review Questions; Discussion / Essay Questions; Applying What You've Learned; Appendices; A -- Glossary; B -- Miscellaneous; DVD information; Blank storyboard frames; Storyboard practice frames; Extra scripts; Additional Exercises; Cast and crew biographies; References; Credits; Index.
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| 590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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| 650 |
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0 |
|a Storyboards
|x History.
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| 650 |
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0 |
|a Motion pictures
|x Production and direction.
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| 650 |
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6 |
|a Cinéma
|x Production et réalisation.
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| 650 |
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7 |
|a Motion pictures
|x Production and direction
|2 fast
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| 650 |
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7 |
|a Storyboards
|2 fast
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| 655 |
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7 |
|a History
|2 fast
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| 700 |
1 |
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|a Minuty, Vladimir.
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| 758 |
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|i has work:
|a Storyboarding (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGtcfGKdpx94t9HFQyYmwK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Torta, Stephanie.
|t Storyboarding : Turning Script into Motion.
|d Bloomfield : Mercury Learning & Information, ©2017
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| 830 |
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0 |
|a Digital Filmmaker Ser.
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| 856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4895127
|z Texto completo
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| 938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL4895127
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| 938 |
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|a YBP Library Services
|b YANK
|n 14668961
|
| 994 |
|
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|a 92
|b IZTAP
|
