Tabla de Contenidos:
  • Cover ; Half Title ; Title Page ; Copyright Page ; Table of Contents; Acknowledgements; Introduction; Chapter synopses; Notes; Bibliography; 1. Trauma/PTSD studies theory; Note; Bibliography; 2. Kawabata Yasunari's Thousand Cranes; Critical approaches to and reception of Kawabata's work; Critical approaches to and reception of Thousand Cranes; Genji as intertextual sourcework; Intertextuality: Genji and Thousand Cranes; Thousand Cranes; Kikuji's foundational trauma; Melancholia, ambivalence and displacement; Mitani and Mrs. Ōta: Deadly fantasies of incorporation and substitution.
  • Mitani and Fumiko: Deadly, overlapping substitution fantasiesMitani and Chikako: Mutual ambivalence and identity/role confusion; Manipulated objects, replacement objects and transitional objects; Conclusion; Notes; Bibliography; 3. Enchi Fumiko's Female Masks; Critical approaches to and reception of Enchi's works; Critical approaches to and reception of Female Masks; Intertextuality: Genji, Thousand Cranes and Female Masks; Female Masks; Patriarchal trauma; Staging and directing revenge; Vicious cycles of trauma, vengeance and re-enactment; Art, insight, critique and reform; Notes.
  • Critical approaches to and reception of Vengeance is MineIntertextuality; Vengeance is Mine; Iwao's foundational trauma; Sins of the father; Sins of the son; Sins of the fathers, sins of the sons; Conclusion; Notes; Bibliography; Conclusion; Bibliography; Index.