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Art movements and the discourse of acknowledgements and distinctions /
This is a work of critical theory in the deconstructionist tradition. It investigates the impact and role of visual art practice in cultural dispensation. Its central argument is that conceptions of 'leadership' and of 'being a subject' (or subjugation) play a formative role in t...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Wilmington, Delaware, United States :
Vernon Press, an imprint of Vernon Art and Science Inc,
[2017]
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| Colección: | Vernon series in art
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Ablative exercises; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man.
- Archaic ManArchaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archaic Man; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Archetype; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art.
- ArtArt; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art.
- ArtArt; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice; Art practice.