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Imperial affects : sensational melodrama and the attractions of American cinema /

"In American culture and history, a feeling of national identity and belonging have often derived from a sense of injury, vulnerability, and loss. Sympathy and aggression operate as twinned affects in such contexts, with representations of an assaulted national body animating identification wit...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Eagle, Jonna, 1968- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick : Rutgers University Press, [2017]
Colección:War culture.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Eagle, Jonna,  |d 1968-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjBddmfdY6kVvRW73bwQv3 
245 1 0 |a Imperial affects :  |b sensational melodrama and the attractions of American cinema /  |c Jonna Eagle. 
264 1 |a New Brunswick :  |b Rutgers University Press,  |c [2017] 
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490 1 |a War culture 
520 |a "In American culture and history, a feeling of national identity and belonging have often derived from a sense of injury, vulnerability, and loss. Sympathy and aggression operate as twinned affects in such contexts, with representations of an assaulted national body animating identification with nationalist violence and its agents. In Imperial Affects, Jonna Eagle turns to the workings of American cinema to understand the power and persistence of these conjunctions, tracing the shifting dynamics of action and pathos as they structure representations of imperialist motion and violence across the twentieth century"--  |c Provided by publisher 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Introduction. Making sense : the moral and affective appeals of melodrama -- A rough ride : cinema, war, and the strenuous life -- Manifest destiny in action : sensational melodrama and the advent of the western -- Western weepies : the power of pathos in the Cold War western -- The subject of imperiled privilege : victimization and violence in late-century action cinema -- Epilogue. To be real : virtual violence in the twenty-first century. 
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650 0 |a Action and adventure films  |z United States  |x History and criticism. 
650 0 |a Western films  |z United States  |x History and criticism. 
650 0 |a National characteristics, American, in motion pictures. 
650 0 |a Melodrama in motion pictures. 
650 0 |a Violence in motion pictures. 
650 0 |a Imperialism in motion pictures. 
650 6 |a Films d'aventures  |z États-Unis  |x Histoire et critique. 
650 6 |a Westerns  |z États-Unis  |x Histoire et critique. 
650 6 |a Américains au cinéma. 
650 6 |a Mélodrames (Films) 
650 6 |a Violence au cinéma. 
650 6 |a Impérialisme au cinéma. 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a HISTORY  |z United States  |x 20th Century.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Media Studies.  |2 bisacsh 
650 7 |a Action and adventure films  |2 fast 
650 7 |a Imperialism in motion pictures  |2 fast 
650 7 |a Melodrama in motion pictures  |2 fast 
650 7 |a National characteristics, American, in motion pictures  |2 fast 
650 7 |a Violence in motion pictures  |2 fast 
650 7 |a Western films  |2 fast 
651 7 |a United States  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 
653 |a film, film history, black and white, cinematography, film studies, classic film, cinema studies, cinema, directing, america, american, nationalism, war, military, imperialism, imperialist, violence, 1900s, twentieth century. 
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