Cargando…
Rewriting Shakespeare's plays for and by the contemporary stage /
Why have contemporary playwrights been obsessed by Shakespeare's plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howa...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn992181080 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 170627s2017 enk ob 000 0 eng d | ||
| 040 | |a YDX |b eng |e pn |c YDX |d N$T |d IDEBK |d EBLCP |d N$T |d OCLCF |d OCLCQ |d OCLCO |d UKMGB |d UKAHL |d NLW |d OCLCQ |d UX1 |d K6U |d ELBRO |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ |d OCLCL |d OCLCQ | ||
| 015 | |a GBB7D0283 |2 bnb | ||
| 016 | 7 | |a 018399483 |2 Uk | |
| 019 | |a 991595933 |a 992452943 |a 992735997 |a 994906563 |a 1175631071 | ||
| 020 | |a 9781443878708 |q (electronic bk.) | ||
| 020 | |a 1443878707 |q (electronic bk.) | ||
| 020 | |z 1443882801 | ||
| 020 | |z 9781443882804 | ||
| 029 | 1 | |a UKMGB |b 018399483 | |
| 029 | 1 | |a AU@ |b 000060549700 | |
| 029 | 1 | |a AU@ |b 000067383739 | |
| 035 | |a (OCoLC)992181080 |z (OCoLC)991595933 |z (OCoLC)992452943 |z (OCoLC)992735997 |z (OCoLC)994906563 |z (OCoLC)1175631071 | ||
| 037 | |a 9781443878708 |b Cambridge Scholars Publishing | ||
| 043 | |a e-uk--- |a n-us--- | ||
| 050 | 4 | |a PN2595.132 | |
| 072 | 7 | |a PER |x 011000 |2 bisacsh | |
| 082 | 0 | 4 | |a 792.0941090511 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Rewriting Shakespeare's plays for and by the contemporary stage / |c edited by Michael Dobson and Estelle Rivier-Arnaud. |
| 260 | |a Newcastle upon Tyne : |b Cambridge Scholars Publishing, |c 2017. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Table of Contents; Acknowledgements; Introduction; Part One: The Rewriting Process under Scrutiny and its Stakes; Chapter One; Chapter Two; Chapter Three; Part Two: Global Shakespeares: Adaptation and Performance; Chapter Four; Chapter Five; Chapter Six; Part Three: European Shakespeares: Challenging Contemporaneity; Chapter Seven; Chapter Eight; Chapter Nine; General Conclusion; Bibliography; Contributors. | |
| 520 | |a Why have contemporary playwrights been obsessed by Shakespeare's plays to such an extent that most of the canon has been rewritten by one rising dramatist or another over the last half century? Among other key figures, Edward Bond, Heiner Müller, Carmelo Bene, Arnold Wesker, Tom Stoppard, Howard Barker, Botho Strauss, Tim Crouch, Bernard Marie Koltès, and Normand Chaurette have all put their radical originality into the service of adapting four-century-old classics. The resulting works provide food for thought on issues such as Shakespearean role-playing, narrative and structural re-shuffling. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 0 | |a Theater |z Great Britain |y 21st century. | |
| 650 | 0 | |a Theater |z United States |y 21st century. | |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 6 | |a Théâtre |z États-Unis |y 21e siècle. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 7 | |a Performance art. |2 bicssc | |
| 650 | 7 | |a Theatre studies. |2 bicssc | |
| 650 | 7 | |a Shakespeare plays. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1500-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Dobson, Michael, |e editor. | |
| 700 | 1 | |a Rivier-Arnaud, Estelle, |e editor. | |
| 758 | |i has work: |a Rewriting Shakespeare's plays for and by the contemporary stage (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGGJVDpgvWBvP6PtQcqKQy |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Rewriting Shakespeare's plays for and by the contemporary stage. |d Newcastle upon Tyne : Cambridge Scholars Publishing, 2017 |z 1443882801 |z 9781443882804 |w (OCoLC)987347595 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4884332 |z Texto completo |
| 938 | |a eLibro |b ELBO |n ELB155430 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32906426 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4884332 | ||
| 938 | |a EBSCOhost |b EBSC |n 1539983 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis38405413 | ||
| 938 | |a YBP Library Services |b YANK |n 14656748 | ||
| 994 | |a 92 |b IZTAP | ||