Carnival and National Identity in the Poetry of Afrocubanismo.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Gainesville :
University Press of Florida,
2017.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Title Page
- Copyright
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction. Comparsas, Congas, and Chambelonas: Carnival and National Identity in Cuba
- 1. Felipe Pichardo Moya's "La comparsa": Afro-Cuban Carnival as Sinister Spectacle
- 2. Carnival and Ñáñiguismo: Poetic Syncretism in Alejo Carpentier's "Juego santo"
- 3. Carnival and Afro-Cuban Ritual in Nicolás Guillén's "Sensemayá: canto para matar una culebra"
- 4. "Comparsa habanera," Emilio Ballagas's Emblematic Contribution to Afrocubanismo
- 5. Drumming Up the Black Vote: Chambelonas and Cuban Electoral Politics in José Zacarías Tallet's "Quintín Barahona"
- 6. "La conga prohibida": Felix B. Caignet's Response to Carnival Controversy in Santiago de Cuba
- 7. Representations of Afro-Cuban Carnival in Three Poems by Marcelino Arozarena
- 8. An Outsider on the Inside: Alfonso Camín's "Carnaval en la Habana"
- Epilogue. Carnival and Cultural Essence
- Appendix. A Brief Anthology of Poems Inspired by Afro-Cuban Carnival
- Notes
- Works Cited
- Index.