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The philosophy of Christopher Nolan /

The Philosophy of Christopher Nolan collects sixteen essays written by philosophers and film theorists analyzing moral, metaphysical, epistemological, and political themes that characterize the films of Christopher Nolan.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Eberl, Jason T. (Editor ), Dunn, George A., 1957- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham, Maryland : Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc., [2017]
Colección:The Philosophy of popular culture
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Table of Contents; Introduction; Part 1: Moral Philosophy; Chapter One: Deceit, Desire, and Mimetic Doubling in the Films of Christopher Nolan; Chapter Two: "So You Can Be My 'John G.'"; Chapter Three: White Nights of the Soul; Chapter Four: Love, Value, and the Human Destiny in Interstellar; Part 2: Politics and Culture; Chapter Five: "They Turned to a Man They Didn't Fully Understand"; Chapter Six: The Vale of Top Hats; Chapter Seven: Plato, Habermas, and the Demonic Cobb; Chapter Eight: "Are You Watching Closely?"; Part 3: Epistemology and Metaphysics.
  • Chapter Nine: Remembering, Reminding, and Forgetting with Leonard ShelbyChapter Ten: False Tattoos and Failed Totems; Chapter Eleven: Inception and Perception; Chapter Twelve: Spinning Tops and Brains in Vats; Part 4: Time and Selfhood; Chapter Thirteen: "You Don't Know Who You Are"; Chapter Fourteen: "Memory Man"; Chapter Fifteen: Engaging Otherness through Following; Chapter Sixteen: We Are the Change That We Seek; Selected Bibliography; Index; Contributors.