Black South African Autobiography after Deleuze : Belonging and Becoming in Self-Testimony.

In 'Black South African Autobiography After Deleuze: Belonging and Becoming in Black Self-Testimony', Kgomotso Michael Masemola uses Gilles Deleuze's theories of immanence and deterritorialization to explore South African autobiography as both the site and the limit of intertextual cu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: M. Masemola, Kgomotso
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : BRILL, 2017.
Colección:Cross/Cultures Ser.
Temas:
Deleuze, Gilles, > 1925-1995.
Deleuze, Gilles, > 1925-1995
South African literature (English) > Black authors > History and criticism.
Biography as a literary form.
Autobiography in literature.
Belonging (Social psychology) in literature.
Identity (Philosophical concept) in literature.
Biography.
Biographies as Topic.
Littérature sud-africaine (anglaise) > Auteurs noirs > Histoire et critique.
Biographie (Genre littéraire)
Autobiographie dans la littérature.
Appartenance (Psychologie sociale) dans la littérature.
Identité dans la littérature.
Biographies.
biographies (literary works)
biography (general genre)
HISTORY > Africa > South > General.
HISTORY > Africa > South > Republic of South Africa.
Autobiography in literature
Belonging (Social psychology) in literature
Biography as a literary form
Identity (Philosophical concept) in literature
South African literature (English) > Black authors
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: 1. Topologies of Collocation: The Problematic of Representation in Black South African Autobiography
  • 2. Of Belonging and Becoming: Black Atlantic Transcultural Memory in the Early Autobiographies of Peter Abrahams and Es'kia Mphahlele
  • 3. "Worldliness' of the Wilderness Text: The Aporetic Experience of Exile in Mphahlele's The Wanderers and N. Chabani Manganyi's Mashangu's Reverie
  • 4. Between the Double Temporality of Tinseltown and Sophiatown: Cultural Memory in Miriam Makeba's Makeba: My Story and Bloke Modisane's Blame Me on History
  • 5. Individuated Collective Utterance: Lack, Law, and Desire in the Autobiographies of Ellen Kuzwayo and Sindiwe Magona
  • 6. Demonstrating the Democratic Ideal in the Idea of Aporetic Autobiography: Nelson Mandela's Long Walk to Freedom and Mamphela Ramphele's. A Life.

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