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160620s2016 nju o 000 0 eng d |
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|z 2016012329
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|a P@U
|b eng
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|d MERUC
|d OCLCA
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|d OCLCL
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|a 986140627
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|a 9780813576961
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|a 0813576962
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|z 9780813576947 (hardcover : alk. paper)
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|z 9780813576930 (pbk. : alk. paper)
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|z 0813576938
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|b 000066188636
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|a (OCoLC)986403353
|z (OCoLC)986140627
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|a n-us---
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|a PN1995.9.S62
|b C35 2016
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|a 791.43655
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|a UAMI
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100 |
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|a Cagle, Chris
|e author.
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245 |
1 |
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|a Sociology on film
|h [electronic resource] :
|b postwar Hollywood's prestige commodity /
|c Chris Cagle.
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260 |
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|a New Brunswick, New Jersey :
|b Rutgers University Press,
|c 2016.
|e (Baltimore, Md. :
|f Project MUSE,
|g 2015)
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300 |
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|a 1 online resource (pages cm)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
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|a Sociology on film
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|a Includes bibliographical references and index.
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|a Introduction -- Two modes of prestige film -- Hollywood as popular sociology -- Hollywood and the public sphere -- A genre out of cycles -- Realist melodrama -- Epilogue.
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588 |
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|a Description based on print version record.
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|a After World War II, Hollywood's ""social problem films""--tackling topical issues that included racism, crime, mental illness, and drug abuse--were hits with critics and general moviegoers alike. Sociology on Film considers the postwar ""problem film"" as a form of popular sociology, translating contemporary policy debates and intellectual discussions into cinematic form. Examining the politics and aesthetics of films like Gentleman's Agreement and The Lost Weekend, Chris Cagle explores how the genre both shaped and reflected the middle-class audience's views of society.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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0 |
|a Motion pictures
|z United States
|x History
|y 20th century.
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650 |
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|a Motion pictures
|x Social aspects
|z United States.
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650 |
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|a Social problems in motion pictures.
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650 |
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6 |
|a Cinéma
|z États-Unis
|x Histoire
|y 20e siècle.
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650 |
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|a Cinéma
|x Aspect social
|z États-Unis.
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650 |
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6 |
|a Problèmes sociaux au cinéma.
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650 |
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7 |
|a PERFORMING ARTS / General.
|2 bisacsh
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650 |
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7 |
|a Motion pictures
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650 |
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7 |
|a Motion pictures
|x Social aspects
|2 fast
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650 |
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7 |
|a Social problems in motion pictures
|2 fast
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651 |
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7 |
|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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650 |
|
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|a Film
|2 gnd
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650 |
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|a Soziale Probleme
|2 gnd
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a History
|2 fast
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710 |
2 |
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|a Project Muse.
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758 |
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|i has work:
|a Sociology on film (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFGCKx4CJMFh6rWV3qBqpK
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|a Book collections on Project MUSE.
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856 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4854439
|z Texto completo
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938 |
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|a De Gruyter
|b DEGR
|n 9780813576961
|
938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL4854439
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938 |
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|a Project MUSE
|b MUSE
|n muse53401
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|a 92
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