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The eighteenth-century fortepiano grand and its patrons : from Scarlatti to Beethoven /
In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortep...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Badura-Skoda, Eva, |e author. | |
| 245 | 1 | 4 | |a The eighteenth-century fortepiano grand and its patrons : |b from Scarlatti to Beethoven / |c Eva Badura-Skoda. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
| 300 | |a 1 online resource (xiii, 492 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Bartolomeo Cristofori -- Giving Cristofori's nuovo cimbalo a name: terminology problems throughout the eighteenth century -- Domenico Scarlatti -- New inventions in Germany, pantalone instruments, and Gottfried Silbermann -- Johann Sebastian Bach and the "piano et forte" -- Pianoforte builders in Germany around 1750 -- The generation of Bach's older sons -- From Alberti, Platti, and Rutini to Eckard and the younger sons of Bach -- Developments in the second half of the century: Johann Andreas Stein and Sebastien Erard -- Joseph Haydn-Wenzel and Johann Schantz, young Mozart and Nannette Stein -- Anton Walter and Wolfgang Amadeus Mozart -- From Broadwood, Merlin, and Clementi to Beethoven -- Epilogue -- Appendix: Scipione Maffei's article of 1711. | |
| 520 | 8 | |a In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument for his 'cembalo che fa il piano e forte', which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J.S. Bach, Clementi, Haydn, Mozart, and Beethoven. Collecting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on October 19, 2018). | |
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| 650 | 0 | |a Piano |x History |y 18th century. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Piano |2 fast | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a The eighteenth-century fortepiano grand and its patrons from Scarlatti to Beethoven (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGQBmVDrMm3BdJbfDRrGtq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Badura-Skoda, Eva. |t Eighteenth-century fortepiano grand and its patrons from Scarlatti to Beethoven. |d Bloomington : Indiana University Press, 2017 |z 9780253022639 |w (DLC) 2017019218 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5119677 |z Texto completo |
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