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|a UAMI
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|a Applegate, Celia,
|e author.
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|a The Necessity of Music :
|b Variations on a German Theme /
|c Celia Applegate.
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|a Toronto :
|b University of Toronto Press,
|c 2017.
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|a 1 online resource (417 pages)
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|a German and European Studies
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|a Cover; Copyright page; Contents; List of Illustrations; Acknowledgments; Introduction; Part I: Places; 1 How German Is It?; 2 Music in Place; 3 Musical Itinerancy in a World of Nations; 4 Music at the Fairs; Part II: People; 5 Mendelssohn on the Road; 6 A.B. Marx's Cosmopolitan Nationalism; 7 Schumann's German Nation; 8 The Musical Worlds of Brahms's Hamburg; Part III: Public and Private; 9 What Difference Does a Nation Make?; 10 Men with Trombones; 11 Women's Wagner; 12 Hausmusik in the Third Reich; 13 To Be or Not to Be Wagnerian in Leni Riefenstahl's Films; 14 Saving Music; Notes; Index.
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|a In The Necessity of Music, Celia Applegate explores the many ways that Germans thought about and made music from the eighteenth- to twentieth-centuries.
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504 |
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|a Includes bibliographical references and index.
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|a Music
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|z Germany.
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|a Music
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|a Musique
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|z Allemagne.
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|1 https://id.oclc.org/worldcat/entity/E39PBJtCD3rcKcPDx6FHmjvrbd
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|a Criticism, interpretation, etc.
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|i has work:
|a The Necessity of Music (Text)
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|i Print version:
|a Applegate, Celia.
|t Necessity of Music : Variations on a German Theme.
|d Toronto : University of Toronto Press, ©2017
|z 9781487520489
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