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The long take : art cinema and the wondrous /
In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as Be9la Tarr, Tsai Ming-liang, Abb...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Koepnick, Lutz P. |q (Lutz Peter), |e author. | |
| 245 | 1 | 4 | |a The long take : |b art cinema and the wondrous / |c Lutz Koepnick. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2017] | |
| 300 | |a 1 online resource (viii, 284 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as Be9la Tarr, Tsai Ming-liang, Abbas Kiarostami, Apichatpong Weerasethakul, and Michael Haneke, Koepnick reveals how their films evoke wondrous experiences of surprise, disruption, enchantment, and reorientation. He proceeds to show how the long take has come to thrive in diverse artistic practices across different media platforms: from the work of photographer Hiroshi Sugimoto to the screen-based installations of Sophie Calle and Tacita Dean, from experimental work by Francis Alffs and Janet Cardiff to durational images in contemporary video games. Deeply informed by film and media theory, yet written in a fluid and often poetic style, The Long Take goes far beyond recent writing about slow cinema. In Koepnicks account, the long take serves as a critical hallmark of international art cinema in the twenty-first century. It invites viewers to probe the aesthetics of moving images and to recalibrate their sense of time. Long takes unlock windows toward the new and unexpected amid the ever-mounting pressures of 24/7 self-management. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 16, 2018). | |
| 505 | 0 | |a Cover -- Half Title -- Title -- Copyright -- Contents -- Preface and Acknowledgments -- Introduction: Toward a Wondrous Spectator -- 1 To Cut or Not to Cut -- 2 Images of/as Promise -- 3 "It's Still Not Over" -- 4 The Long Goodbye -- 5 Funny Takes? -- 6 The Wonders of Being Stuck -- 7 (Un)Timely Meditations -- Conclusion: Screens without Frontiers -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Production and direction |2 fast | |
| 758 | |i has work: |a The long take (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGHwH6gyy7QvCmCVwxPXq3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Koepnick, Lutz P. (Lutz Peter). |t Long take. |d Minneapolis : University of Minnesota Press, [2017] |z 9780816695843 |w (DLC) 2017001236 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5161251 |z Texto completo |
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