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Screens.
This Sixth volume in the series The Key Debates. Mutations and Appropriations in European Film Studies investigates the question of screens in the context both of the dematerialization due to digitalization and the multiplication of media screens. Scholars offer various infomations and theories of t...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Indeterminado |
| Publicado: |
[Place of publication not identified] :
Amsterdam University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Screens. |
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| 520 | |a This Sixth volume in the series The Key Debates. Mutations and Appropriations in European Film Studies investigates the question of screens in the context both of the dematerialization due to digitalization and the multiplication of media screens. Scholars offer various infomations and theories of topics such as the archeology of screen, film and media theories, contemporary art, pragmatics of new ways of screening (from home video to street screening). | ||
| 505 | 0 | |a Intro; Contents; Editorial; Acknowledgments; Introduction: Screen, a Concept in #x84;Progress; Rectangle-Film [25x19] (1918); Intersections between Showing and Concealment in the History of the Concept of Screen; Archaic Paradigms of the Screen and Its Images; Thematizing the "Arche-Screen" through Its Variations; The Stuff of Screens; Scaling Down: Cinerama on Blu-ray; The Disappearance of the Surface; GoPro: Augmented Bodies, Somatic Images; The Four Practices? Challenges#x92;for#x92;an#x92;Archaeology#x92;of the Screen; Screens in the City; The Screenic Image. | |
| 505 | 8 | |a From Screen-Scape to Screen-Sphere: A Meditation in Medias ResThe Concept of the Mental Screen; Between Fascination and Denial: The Power of the Screen; Screens after Dos Passos's U.S.A. #x84;Trilogy; El Lissitzky's Screening Rooms; But Who Actually Watched Mark #x84;Lewis's Films at the Louvre?; Gulliver Goes to the Movies; The Skin and the Screen -- A Dialogue; The Screen and the Concept of #x84;Dispositif -- A Dialogue; Notes; General Bibliography; Notes on Contributors; Index of Names; Index of Film Titles. | |
| 546 | |a English. | ||
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| 650 | 0 | |a Cinematography |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a The arts. |2 bicssc | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Philosophy |2 fast | |
| 653 | |a surface. | ||
| 653 | |a seeing. | ||
| 653 | |a screens. | ||
| 653 | |a depth. | ||
| 653 | |a touching. | ||
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