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The Philosophical Baroque : On Autopoietic Modernities.
In his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
BRILL,
2017.
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| Colección: | Literary Modernism Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: pt. 1 Sociological-Dramatic Baroque
- 1. Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency
- 2. Folds of Desire's (Dis)contents: Orson Welles, Lacan, and Shakespeare's King Lear (c. 1606)
- 3. Monad of Deleuze's Many-Tiered High Baroque Leibniz
- pt. 2 Literary-Philosophical Baroque
- 4. Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot
- 5. (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity's Rainbow (1973), and L'Ecriture du desastre (The Writing of the Disaster) (1980)
- 6. Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake
- 7. Deleuze's Le pit Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce's "stohong baroque" Finnegans Wake
- 8. Autopoietic Baroque Energies: Finnegans Wake
- 9. Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship
- 9.1. Crying of Lot 49 (1965)
- 9.2. Gravity's Rainbow (1973)
- 9.3. Mason & Dixon (1997)
- pt. 3 Philosophical-Psychoanalytic Baroque
- 10. Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon.