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170311s2004 xx ob 001 0 eng d |
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|a EBLCP
|b eng
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|d MERUC
|d YDX
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|a 1004552477
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|a 9781351957229
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|a 1351957228
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|z 0754635759
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|z 9780754635758
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|a (OCoLC)975224752
|z (OCoLC)1004552477
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|a a-tu---
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|a NA5871.T7
|b E37 2004
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|a 726.509565
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|a 20.65
|2 bcl
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|a UAMI
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|a Eastmond, Antony.
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|a Art and Identity in Thirteenth-Century Byzantium :
|b Hagia Sophia and the Empire of Trebizond.
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|a Florence :
|b Taylor and Francis,
|c 2004.
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|a 1 online resource (247 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Birmingham Byzantine and Ottoman Studies ;
|v v. 10
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|a Print version record.
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|a Includes bibliographical references (pages 159-199) and index.
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|t Introduction : the Byzantine empires in the thirteenth century --
|g 1.
|t Hagia Sophia and its contexts --
|g 2.
|t Hagia Sophia : architecture and the construction of identity --
|g 3.
|t Trebizond as imperial capital : ceremonial and processions --
|g 4.
|t Adam, exile and 'Byzantine' sculpture --
|g 5.
|t Ornamental sculpture and cultural orientation : Hagia Sophia, the Seljuqs and the Caucasus --
|g 6.
|t Wall paintings and politics : rebuilding empire? --
|g 7.
|t Hagia Sophia : art, the liturgy and modernity --
|g 8.
|t Manuel I Grand Komnenos : the embodiment of empire.
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520 |
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|a "The church of Hagia Sophia in Trebizond, built by the emperor Manuel I Grand Komnenos (1238-63) in the aftermath of the fall of Constantinople to the Fourth Crusade, is the finest surviving Byzantine imperial monument of its period. Art and Identity in Thirteenth-Century Byzantium is the first investigation of the church in more than thirty years, and is extensively illustrated in colour and black-and-white, with many images that have never previously been published."
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|a "Antony Eastmond examines the architectural, sculptural and painted decorations of the church, placing them in the context of contemporary developments elsewhere in the Byzantine world, in Seljuq Anatolia and among the Caucasian neighbours of Trebizond. Knowledge of this area has been transformed in the last twenty years, following the collapse of the Soviet Union. The new evidence that has emerged enables a radically different interpretation of the church to be reached, and raises questions about cultural interchange on the borders of the Christian and Muslim worlds of eastern Anatolia, the Caucasus and Persia."--Jacket.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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610 |
2 |
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|a Ayasofya Müzesi (Museum : Trabzon, Turkey)
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2 |
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|a Trabzon Ayasofya Müzesi
|2 fast
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|a Plastik
|2 gnd
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650 |
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|a Architecture, Byzantine
|z Turkey
|z Trabzon.
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650 |
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|a Christian art and symbolism
|z Turkey
|z Trabzon
|y Medieval, 500-1500.
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650 |
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0 |
|a Art and state
|z Turkey
|z Trabzon.
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650 |
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0 |
|a Trebizond Empire
|x History.
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650 |
|
6 |
|a Architecture byzantine
|z Turquie
|z Trébizonde.
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650 |
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6 |
|a Art
|x Politique gouvernementale
|z Turquie
|z Trébizonde.
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650 |
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|a Architecture, Byzantine
|2 fast
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|a Art and state
|2 fast
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|a Christian art and symbolism
|x Medieval
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|a Turkey
|z Trabzon
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJp9mCRGF7H8R4xTwTy68C
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650 |
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|a Wandmalerei
|2 gnd
|
650 |
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|a Architektur
|2 gnd
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|a Byzantinisches Reich
|2 gnd
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|a Bouwkunst.
|2 gtt
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|a Kerkgebouwen.
|2 gtt
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651 |
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|a Trabzon
|x Hagia Sophia.
|2 swd
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648 |
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|a 500-1500
|2 fast
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|a History
|2 fast
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|i has work:
|a Art and identity in thirteenth-century Byzantium (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGvfRCM8JkCb6D8XBjbdry
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Eastmond, Antony.
|t Art and Identity in Thirteenth-Century Byzantium : Hagia Sophia and the Empire of Trebizond.
|d Florence : Taylor and Francis, ©2004
|z 9780754635758
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830 |
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0 |
|a Birmingham Byzantine and Ottoman studies.
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4817432
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL4817432
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|a YBP Library Services
|b YANK
|n 13533360
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|a 92
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