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Phantom Limbs : On Musical Bodies.
In an exploration of the many ways that musical bodies have been trained and imagined but also concrete analyses of the ways certain of them have played, Phantom Limbs touches on the technical apparatuses set into place by organology with an ear for the dissident mass formations haunting music'...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2015.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Szendy, Peter. | |
| 245 | 1 | 0 | |a Phantom Limbs : |b On Musical Bodies. |
| 260 | |a New York : |b Fordham University Press, |c 2015. | ||
| 300 | |a 1 online resource (115 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Title Page; Copyright; Dedication; Contents; Training; Chapter 1 Interpreting Bodies; Chapter 2 Effictions; Chapter 3 Organologics (1): The Erasure of Bodies; Chapter 4 Touch-ups, or The Return of Bodies; Chapter 5 Idiotisms, or The Dialect of Bodies; Chapter 6 Monk, a Legend; Chapter 7 Traces of Fingers; Chapter 8 Digital Rhetoric; Chapter 9 Ablations and Grafts (Too Many Fingers); Chapter 10 Romantic Fingers (System of Touch); Chapter 11 Feet; Chapter 12 Joyful Tropiques (Evolution, Revolutions); Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up). | |
| 505 | 8 | |a Chapter 14 Organologics (2): AutophonyChapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors; Chapter 16 Telepathy; Chapter 17 Scruples (Clones and Stand-ins); Chapter 18 Conducting (Seen from the Back); Chapter 19 Genesis (2): Fantasia, or "Plasmaticity"; Chapter 20 Touching from Afar; Chapter 21 Organologics (3): Areality; Chapter 22 Bodies Electric; Chapter 23 Mass Formations; P.S.; Notes. | |
| 520 | |a In an exploration of the many ways that musical bodies have been trained and imagined but also concrete analyses of the ways certain of them have played, Phantom Limbs touches on the technical apparatuses set into place by organology with an ear for the dissident mass formations haunting music's corpus. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 700 | 1 | |a Bishop, Will. | |
| 758 | |i has work: |a Phantom limbs (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGthdcdHmxx4pRcXRrRKbd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Szendy, Peter. |t Phantom Limbs : On Musical Bodies. |d New York : Fordham University Press, ©2015 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4803927 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4803927 | ||
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