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The conspiracy of modern art /
In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Portugués |
| Publicado: |
Leiden ; Boston :
Brill,
[2017]
|
| Colección: | Historical materialism book series ;
137. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Martins, Luiz Renato, |e author. | |
| 240 | 1 | 0 | |a Essays. |k Selections. |l English |
| 245 | 1 | 4 | |a The conspiracy of modern art / |c by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2017] | |
| 264 | 4 | |c ©2017 | |
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| 490 | 1 | |a Historical materialism book series ; |v volume 137 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a In 'The Conspiracy of Modern Art' the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois?Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s. | |
| 505 | 0 | |a Intro -- Contents -- Acknowledgements -- Credits -- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art (Edwards) -- Chapter 1. The Conspiracy of Modern Art -- Chapter 2. The Hemicycle: The Image of the Nation-Form -- Chapter 3. Marat by David: Photojournalism -- Chapter 4. Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism -- Chapter 5. Remains of Voluptuousness -- Chapter 6. The Returns of Regicide -- Chapter 7. Parisian Scenes -- Chapter 8. Two Scenes on the Commodity -- Chapter 9. Painting as Labour-Form -- Chapter 10. Transition from Constructivism to Productivism, According to Tarabukin -- Chapter 11. Argan Seminar: Art, Value and Work -- Chapter 12. Political Economy of Modern Art I: Entries for Combat -- Chapter 13. Political Economy of Modern Art II: Lessons and Modes of Use -- Index of Artworks Cited -- Bibliography -- Index. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on July 02, 2019). | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Painting, Modern. | |
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| 700 | 1 | |a Edwards, Steve, |d 1959- |e editor. | |
| 700 | 1 | |a Rezende, Renato, |d 1964- |e translator. | |
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| 776 | 0 | 8 | |i Print version: |a Martins, Luiz Renato. |t Conspiracy of modern art. |d Boston : Brill, 2017 |z 9789004280045 |w (DLC) 2017006424 |
| 830 | 0 | |a Historical materialism book series ; |v 137. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4848113 |z Texto completo |
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