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Screening Soviet Nationalities : Kulturfilms from the Far North to Central Asia.

"Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways dispara...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sarkisova, Oksana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : I.B. Tauris, 2016.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Half-title; Endorsement; Series information; Dedication; Title page; Copyright information; Table of contents; List of Illustrations ; General Editors' Preface ; Acknowledgements; Note on Transliteration; Glossary ; Introduction: Projects of a New Vision; Constructing Soviet Nationalities; Virtual Travelling: Maps, Itineraries, and Politics of Vision; Local Sights, Global Visions: Russian and Soviet Travel Films; Across the Soviet Travelogues: The Roadmap; 1 They Must be Represented: Kulturfilm and the National Niche in Soviet Cinema.
  • Cultural, Ethnographic, Documentary: The Elusive Film ClassificationThink With Us, Think Like Us! Shaping the Audience through Film; Vostokfilm: The Studio for the Soviet 'Other'; 2 Absolute Kinography: Vertov's Cine-Race Across the Soviet Universe; Advertising the Soviet Universe; New Imperial Catalogue: Surveying Ethnic Bodies; Network Community: Gostorg and the New Soviet Unity; Rhetorical Battles over Modernity and Backwardness; 3 Arctic Travelogues: Conquering the Soviet Far North; The Contact Zone: National Variety beyond the Arctic Circle; Arctic Tales: From Contact Zone to Icy Desert.
  • Tragedy into Triumph: The Rise of Affective Travelogues4 Forest People, Wild and Tamed: Travelogues in the Far East; The First Blueprints: Following Arsenev's Trail; Self-reflexive Tale: Film-diary and Subjectivity; Terra Incognita: Exploring the Frontier; Land of the Golds: Amo Bek-Nazarov's Two Versions of Progress; Babylon Re-enacted: The Nanai, the Chinese, and the Jews in Mikhail Slutskii's Far East; Birobidzhan: Civilizing the Wilderness; Playing the Native: Transformation of Expedition Films; 5 Diagnosing the Nations: Nationalizing Dirt and Disease on the Screen.
  • Syphilis Against Socialism: Medical Expedition as a Bearer of Social ProgressClearing the Vision: Eye Diseases and Constructions of New National Bodies; Journeys of Health: Tourist Bodies in Motion; 6 Touring the Caucasus; Dagestan: The Space of Diversity; Chechnya As It Is: Native and Tourist Gazes; The Heart of the Mountains: Svanetia Wild and Conquered; 7 Camels and Railways: Reframing Central Asia; Views from the Roof of the World: Mapping the Pamir Mountains and its Peoples; The Iron Unity: Conquering Turkestan; Turksib as a Media Campaign; Future of the Desert.
  • Imagined Community: Unveiling the Kino-Eye Epilogue: Day of a New World; Notes; Introduction: Projects of a New Vision; 1. They Must Be Represented: Kulturfilm and the National Niche in Soviet Cinema; 2. Absolute Kinography: Vertov's Cine-Race Across the Soviet Universe; 3. Arctic Travelogues: Conquering the Soviet Far North; 4. Forest People, Wild and Tamed: Travelogues in the Far East; 5. Diagnosing the Nations: Nationalizing Dirt and Disease on the Screen; 6. Touring the Caucasus; 7. Camels and Railways: Reframing Central Asia; Epilogue: Day of a New World; Filmography; Bibliography.