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Haecceities.
Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects, Strayer shows how the fund...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
BRILL,
2017.
|
| Colección: | Philosophy of History and Culture Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Strayer, Jeffrey. | |
| 245 | 1 | 0 | |a Haecceities. |
| 260 | |a Boston : |b BRILL, |c 2017. | ||
| 300 | |a 1 online resource (482 pages) | ||
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| 490 | 1 | |a Philosophy of History and Culture Ser. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgements; List of Haecceity Illustrations and Figures; Part 1 Introduction; Chapter 1 Theses of Abstraction; 1.1 Singling Something Out; 1.2 Singling Out Objects; 1.3 Particular Identity; 1.4 Understanding Particular Identity; 1.5 Artwork Identity and Perceptual Objects; 1.6 The Notion of an Artistic Complex; 1.7 Using Essential Elements of an Artistic Complex; Chapter 2 The Essential Elements of an Artistic Complex and the Idea of Essentialism or Essentialist Abstraction; 2.1 Object; 2.2 Subject; 2.3 Consciousness: Perceptual and Conceptual Awareness; 2.4 Agency. | |
| 505 | 8 | |a 2.5 Epistemological Relations of Subject to Object: Knowing Which, Knowing That, and Knowing What2.6 Indexicals; 2.7 Logical Relations of Objects and Consciousness: Phenomenality and Noumenality; 2.8 History of Awareness and Agency; 2.9 Cause and Effect and Change; 2.10 Becoming; 2.11 Stability and Change in Dependent and Intended Objects; 2.12 Apprehension and Reapprehension; 2.13 Identity and Difference; 2.14 Parts and Wholes; 2.15 Space and Time; 2.16 Continuity and Discontinuity and Recurrence and Non-Recurrence; 2.17 Aesthetically Essential Properties; Chapter 3 Radical Identity. | |
| 505 | 8 | |a Chapter 4 Essence and EssentialismChapter 5 Consciousness; 5.1 Consciousness is Heterogeneous; 5.2 Consciousness is Multifarious; 5.3 Reflexive and Irreflexive Events; 5.4 Monadic and Polyadic Events; 5.5 First-Order and Second-Order Events; Chapter 6 Objects; 6.1 Existential and Non-Existential Objects; 6.2 Phenomenal and Noumenal Objects; 6.3 Dependent and Independent Objects; 6.4 Ideational Objects; 6.5 Identity-Dependent Objects; 6.6 Type-Dependent Objects; Chapter 7 Summary and the Goals and Workings of Essentialism. | |
| 505 | 8 | |a Part 2 Space, Time, Language, and Objects, and Particular Matters of General Relevance to EssentialismChapter 8 The Particularity of Objects and the Use of the Term 'haecceity' in Regard to Essentialist Artworks; 8.1 Thisness and Whatness; 8.2 Whatness and Thisness; 8.3 The Primacy of Thisness; 8.4 Haecceity; Chapter 9 Space, Language, and the Perceptual Object; 9.1 Language and Two-Dimensional Space; 9.2 The Relation of Written Language to Things Beyond its Space; 9.3 The Figure of Language and its Surrounding Ground; 9.4 Linear and Circular Language on Stationary Grounds. | |
| 505 | 8 | |a 9.5 The Problem of Number and its Solution9.6 The Problem of Distribution and the Solution of it and the Problem of Number in Relation to One Another; 9.7 The Problem of Figure and Ground; 9.8 The Solution of the Problem of Figure and Ground; 9.9 The Problem of Asymmetry; 9.10 The Solution of the Problem of Asymmetry; 9.11 The Simultaneous Solution of the Problems of Number, Distribution, Figure and Ground, and Asymmetry for Linear Language on a Two-Dimensional Surface; Chapter 10 Effects of the Algorithm: Visible and Invisible, On and Off the Surface; 10.1 Matrices in Conceptual Space. | |
| 500 | |a 10.2 Dualities and Identities. | ||
| 520 | |a Haecceities: Essentialism, Identity, and Abstraction is both an artistic and philosophical examination of the limits of Abstraction in art and of kinds of radical identity that are determined in the identification of those limits. Building on his work Subjects and Objects, Strayer shows how the fundamental conditions of making and apprehending works of art can be used, in concert with language, thought, and perception, as 'material' for producing the more Abstract and radical artworks possible. Certain limits of Abstraction and possibilities of radical identity are then identified that are critically and philosophically considered. They prove to be so extreme that the concepts artwork, abstraction, identity, and object in art, philosophy, and philosophy of art, have to be reconsidered. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Art, Abstract. | |
| 650 | 0 | |a Abstraction. | |
| 650 | 0 | |a Art |x Philosophy. | |
| 650 | 0 | |a Haecceity (Philosophy) | |
| 650 | 6 | |a Abstraction. | |
| 650 | 6 | |a Art |x Philosophie. | |
| 650 | 6 | |a Eccéité. | |
| 650 | 7 | |a abstraction. |2 aat | |
| 650 | 7 | |a Abstraction |2 fast | |
| 650 | 7 | |a Art, Abstract |2 fast | |
| 650 | 7 | |a Art |x Philosophy |2 fast | |
| 650 | 7 | |a Haecceity (Philosophy) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Strayer, Jeffrey. |t Haecceities: Essentialism, Identity, and Abstraction. |d Boston : BRILL, ©2017 |z 9789004338432 |
| 830 | 0 | |a Philosophy of History and Culture Ser. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4790852 |z Texto completo |
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