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Partners in Suspense : Critical Essays on Bernard Herrmann and Alfred Hitchcock.
A compelling collection that looks at one of the most famed director-composer collaborations in film history.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Manchester :
Manchester University Press,
2016.
|
| Colección: | Manchester Film Studies
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rawle, Steven. | |
| 245 | 1 | 0 | |a Partners in Suspense : |b Critical Essays on Bernard Herrmann and Alfred Hitchcock. |
| 260 | |a Manchester : |b Manchester University Press, |c 2016. | ||
| 300 | |a 1 online resource (242 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Manchester Film Studies | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of figures and tables; List of contributors; Acknowledgements; Introduction; Notes; References; 1 Bernard Herrmann: Hitchcock's secret sharer; References; Texts; Correspondences with the author; Interviews with the author; DVD; 2 Hitchcock, music and the mathematics of editing; Notes; References; 3 The anatomy of aural suspense in Rope and Vertigo; Unraveling Rope's soundtrack; Hearing musical doubles on Vertigo's soundtrack; Notes; References; 4 The therapeutic power of music in Hitchcock's films; Notes; References. | |
| 505 | 8 | |a 5 A Lacanian take on Herrmann/HitchcockNotes; References; 6 Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much; Notes; References; 7 On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960); Characters at the crossroads; Hitchcock and the car journey; Hitchcock and Herrmann; On the road/'Toward the Within'; Tracking Scottie and Marion; References; 8 A dance to the music of Herrmann: a figurative dance suite; Prelude; Pas d'action; Pas de deux; Notes; References; 9 The sound of The Birds. | |
| 505 | 8 | |a Musique concrète or sound effects, histories and contextsThe aural orchestration of the bird attacks: three examples; Electronic sound and aural expressionism; Notes; References; 10 Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964); Presences in and out of the film; Score; Artistic plagiarism and authorial presences; Conclusion: disagreeable music?; Notes; References; 11 The murder of Gromek: theme and variations; Theme; Variations; The final curtain; Notes; References; 12 Mending the Torn Curtain: a rejected score's place in a discography. | |
| 505 | 8 | |a The basics of soundtrack releaseThe historical perspective; The historical significance of Torn Curtain in the discography; Conclusion; References; 13 The Herrmann-Hitchcock murder mysteries: post- mortem; Notes; References; 14 How could you possibly be a Hitchcocko-Herrmannian?: Digitally re-narrativising collaborative authorship; Re-encountering Psycho; Vertigo; North by Northwest; Torn Curtain; Notes; References; Selected bibliography; Index. | |
| 520 | |a A compelling collection that looks at one of the most famed director-composer collaborations in film history. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a In English. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Herrmann, Bernard, |d 1911-1975 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Herrmann, Bernard, |d 1911-1975 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp9x3w8DQH6QrqgH4ycfq |
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Motion picture music |z United States |x History and criticism. | |
| 650 | 0 | |a Suspense in motion pictures, television, etc. | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Film, Musique de |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM / European / General. |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Motion pictures |x Production and direction |2 fast | |
| 650 | 7 | |a Suspense in motion pictures, television, etc. |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Rawle, Steven. |t Partners in Suspense : Critical Essays on Bernard Herrmann and Alfred Hitchcock. |d Manchester : Manchester University Press, ©2016 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4789603 |z Texto completo |
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| 938 | |a De Gruyter |b DEGR |n 9781526107718 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4789603 | ||
| 994 | |a 92 |b IZTAP | ||