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Painting Circles.
Painting Circles addresses the changing professional milieu of artists in early 20th century Japan, particularly the development of new social roles and networks, and how these factors informed the development of artistic identity. The focus of the study is the Nihonga painter Tsuchida Bakusen (1887...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL,
2013.
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| Colección: | Japanese Visual Culture Ser.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Painting Circles: Tsuchida Bakusen and Nihonga Collectives in Early 20th-Century Japan; Dedication; Contents; Acknowledgements; INTRODUCTION; 1 BAKUSEN, S EARLY LIFE AND WORKS: TOWARDS A RURAL GENRE PAINTING; Early Life on Sado Island; Early Training under Suzuki Shōnen; The 1904 Shinkoten and the Kyūha-Shinpa Dynamic; Studying at Chikujōkai; Exhibition Debut: Manchurian Summer Heat (1905); Rural Fūzokuga: Punishment (1908) and Tax Collection Day (1909); 2 BEYOND CHIKUJŌKAI: EXPANDING INFLUENCES AND NEW ENCOUNTERS; The Kyoto Municipal Specialized School for Painting.
- Tanaka Kisaku, the Nameless Society, and Chat NoirExhibiting at Le Masque and the Bunten: Hair (1911); 3 CHALLENGES, CHANGES, AND EVOLVING STRATEGIES AT THE BUNTEN; The Division of Bunten Nihonga Section and the Founding of the Inten; Lure of the Exotic: Island Women (1912) and Abalone Divers (1913); Balancing Boldness and Restraint: Scattering Blossoms (1914) and Women of Ōhara (1915); Revisiting the Keichō Era: Three Maiko (1916); 4 GATHERING THE HIGASHIYAMA CIRCLE; Ono Chikkyō: The "Impressionist Naturalist"; Sakakibara Shihō: Harmony and Discord.
- Murakami Kagaku: Painting the Profane and the SacredNonagase Banka: Testing the Limits of Tradition; Results of the 1917 Bunten; The Formation of the Kokuga Society; 5 THE INAUGURAL KOKUTEN EXHIBITION OF 1918: CONTENT AND CONTEXTS; The Kyoto and Tokyo Press Debuts; The Kokuga Society Name, Manifesto, and Statement of Purpose; Management and Organization of the Kokuten Exhibition; The Inaugural Kokuten and its Critical Reception; Bakusen's Bathhouse Maiden; Kagaku's Death of a Saint; Banka's Stream in Early Summer; Chikkyō's Village of Nakiri and Shihō's Early Plums.
- Other Significant Works at the First KokutenThe Impact of the First Kokuten: An Overview; 6 ARTISTIC FLOWERING: THE SECOND AND THIRD KOKUTEN EXHIBITIONS; The Death of the Bunten and Birth of the Teiten; Overview of the Second and Third Kokuten Exhibitions (1919, 1920); Bakusen: Three Maiko (1919) and Spring (1920); Chikkyō: Gokayama in Summer (1919) and Island at Sea (1920); Shihō: Red Pines (1919) and Forest in Nara (1920); Kagaku: Hidaka River (1919) and Nude (1920); Banka: Time of Rest (1919) and Fishermen Returning at Sunset (1920); Other Significant Works at the Second and Third Kokuten.
- Aftermath of the Three Kokuga Society Exhibitions7 HIATUS, EXPANSION, AND COLLAPSE: THE KOKUTEN'S MIDDLE AND FINAL STAGES; Art Pilgrimage to Europe; The Great Kantō Earthquake and the Japan Art Exhibition (1923); The Kokuga Society's Expansion and Evolving Policies; Bakusen's Maiko in a Garden (1924) and Women of Ōhara (1927); Other Significant Kokuten Paintings, 1924-1927; The Eighth Kokuten and the Dissolution of the Kokuga Society; CONCLUSIONS; Kagaku, Shihō, Banka and Chikkyō in the Post-Kokuten Period; Intellectual Formalism: Bakusen's Later Years; The Kokuga Society's Legacy.