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Vision in motion : streams of sensation and configurations of time /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Alemán |
| Publicado: |
Zürich :
Diaphanes,
[2016]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn968151028 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 170111s2016 sz ach ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d EBLCP |d Z5A |d UUM |d EZ9 |d OCLCQ |d VT2 |d OCLCO |d K6U |d OCLCQ |d OCLCO |d OCLCL |d TMA |d OCLCQ | ||
| 019 | |a 1281713842 | ||
| 020 | |a 9783037349076 |q (electronic bk.) | ||
| 020 | |a 3037349077 |q (electronic bk.) | ||
| 020 | |z 3037345225 | ||
| 020 | |z 9783037345221 | ||
| 029 | 1 | |a AU@ |b 000069948118 | |
| 035 | |a (OCoLC)968151028 |z (OCoLC)1281713842 | ||
| 041 | 0 | |a ger |a aeng | |
| 050 | 4 | |a N7430.5 |b .V57 2016eb | |
| 072 | 7 | |a ART |x 000000 |2 bisacsh | |
| 082 | 0 | 4 | |a 701 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Vision in motion : |b streams of sensation and configurations of time / |c edited by Michael F. Zimmermann. |
| 246 | 3 | 0 | |a Streams of sensation and configurations of time |
| 264 | 1 | |a Zürich : |b Diaphanes, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (656 pages) : |b illustrations (some color), facsimiles, portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed January 11, 2017). | |
| 505 | 0 | |a Cover; Contents; Introduction: A Research Atelier Organized by the Master's Program Aisthesis for the International Consortium on Art History / Michael F. Zimmermann; I. Vision in Motion: Framing and Perspectivation; Moving / Claude Imbert; Seeing / Michael F. Zimmermann; II. Orders and Regimes of Time: Discipline and Poetics; Vision in Locomotion: The ""Train Effect"" in the Visual Arts, Its Anticipation in Phantasmagoria, and Its Continuation in Film / Ségolène Le Men; Poetic and Media-Oriented Perception in Post-Romantic Modernism: From Baudelaire to Buñuel / Christian Wehr. | |
| 505 | 8 | |a Objects at a Distance: Karl Schnaase's description of the Antwerp Cathedral (1834) and the Pedagogic Conditioning of the Eye During the Nineteenth Century / Tobias TeutenbergSynchronies of Violence: Italian Colonialism and Marinetti's Depiction of Africa in ""Mafarka the Futurist"" / Carmen Belmonte; From Verticality to Horizontality: Tilting the Gaze and Learning How to See / Nolwenn Mégard; Mapping the Eye: ""Laocoön"" and Eye Movement in Art / Christoph Wagner. | |
| 505 | 8 | |a Aesthetic Echoes in the Beholder's Eye? Aesthetic Echoes in the Beholder's Eye? Empirical Evidence for the Divergence of Theory and Practice in the Perception of Abstract Art / Laura Commare, Hanna BrinkmannCapturing Motion, Shaping Time: From Chronophotography to Digital Film / Fabienne Liptay; III. Figures of Dance; Edgar Degas's ""Ballet class"": Latent Motion and the Reconfiguration of Motifs / Christian Berger; Dancing Like Mondrian Paints: The Interaction of Dance and Abstract Art (1900-1930) / Anja Pawel; 1913: Archipenko's Plaster Statues, or The Time of Dancing. | |
| 505 | 8 | |a Pina Bausch's Choreography: A Laboratory for Art or for Life? / Fabienne BrugèreArabesque Vision: On Perceiving Dancing as ""Écriture Corporelle"" in William Forsythe's ""The Vertiginous Thrill of Exactitude"" / Alexander Schwan; IV. Protracted Presence and Duration; Sculpture and Temporality: Art as Experiment under the Spell of Vitalism / Catherine Chevillot; Configuring Poetic Time: Figures of Movement and Perception in Marcel Proust's ""À la recherche du temps perdu"" / Boris Roman Gibhardt; ""Here, everything moves. | |
| 505 | 8 | |a Nothing is dead here"": ""Perpetuum Mobile"" and Time Control in the Work of Paul Scheerbart and Bruno Taut / Sophie GoetzmannMovement-Afterimages: Marcel Duchamp's ANÉMIC CINÉMA / Henning Schmidgen; The Physicality of Here and Now: Place and Time in Robert Smithson's Works / Annika Schlitte; Run: The Poetic Use of the Moving Body in Contemporary Time-Based Practices / Meg R. Jackson; ""Whatever I Photograph, I Always Lose"": Images of Death and Configurations of Time in ""Peeping Tom"" and ""Vacancy"" / Meg R. Jackson; V. Seizing Motion-Comprehending Time. | |
| 546 | |a English summaries. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Motion in art. | |
| 650 | 0 | |a Motion perception (Vision) | |
| 650 | 2 | |a Motion Perception | |
| 650 | 6 | |a Mouvement dans l'art. | |
| 650 | 6 | |a Perception visuelle du mouvement. | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Motion in art |2 fast | |
| 650 | 7 | |a Motion perception (Vision) |2 fast | |
| 700 | 1 | |a Zimmermann, Michael F., |e editor. | |
| 758 | |i has work: |a Vision in motion (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGbqgFWMxQg9CprtKgtHqP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Vision in motion : streams of sensation and configurations of time. |d Zurich, [Switzerland] : Diaphanes, ©2016 |h 656 pages |z 9783037345221 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4778695 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4778695 | ||
| 938 | |a EBSCOhost |b EBSC |n 1449857 | ||
| 994 | |a 92 |b IZTAP | ||