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A Student's Guide to Music History.

R.J. Stove's A Student's Guide to Music History is a concise account, written for the intelligent lay reader, of classical music's development from the early Middle Ages onwards. Beginning with a discussion of Hildegard von Bingen, a twelfth-century German nun and composer, and the or...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stove, R. J. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Intercollegiate Studies Institute 2014.
Colección:ISI guides to the major disciplines.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a R.J. Stove's A Student's Guide to Music History is a concise account, written for the intelligent lay reader, of classical music's development from the early Middle Ages onwards. Beginning with a discussion of Hildegard von Bingen, a twelfth-century German nun and composer, and the origins of plainchant, Stove's narrative recounts the rise (and ever-increasing complexity) of harmony during the medieval world, the differences between secular and sacred music, the glories of the contrapuntal style, and the origins of opera. Stove then relates the achievements of the high baroque period, the very different idioms that prevailed during the late eighteenth century, and the emergence of Romanticism, with its emphasis upon the artist-hero. With the late nineteenth century came a growing emphasis on musical patriotism, writes Stove, especially in Spain, Hungary, Russia, Bohemia, Norway, Denmark, Finland, and the United States. A final section discusses the trends that have characterized music since 1945. Stove's guide also singles out eminent composers for special coverage, including Palestrina, Monteverdi, Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Wagner, Verdi, Brahms, Debussy, Richard Strauss, Sibelius, and Messiaen. As a brief orientation to the history and contours of classical music, A Student's Guide to Music History is an unparalleled resource. 
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505 0 |a Cover; Title; Contents; Dedication; Preface; From the Beginnings to 1600; From the Gabrielis and Monteverdi to Bach and Handel; From Gluck and Bach''s Sons to Beethoven and Schubert; From Weber and Rossini to Wagner and Verdi; From Brahms and Bruckner to Sibelius and Stravinsky; Between the Wars; Epilogue: Since 1945; Glossary; Bibiliography; Copyright. 
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655 4 |a Music; Education. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Outlines and syllabi.  |2 fast  |0 (OCoLC)fst01423836 
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