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Gender and Islam in Indonesian Cinema.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Singapore :
Springer Singapore,
2016.
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| Colección: | Gender, sexualities and culture in Asia.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgements; Contents; Glossary of Terms and Abbreviations; List of Figures; Chapter 1: Gender and the Divine Pleasures of the Cinema; Why Representations of Gender in Film?; Commodification of Islam and Gender in Islamic Modernity; Ways of Making Meaning; Notes on the Field Site; Interviewing Indonesiaś Cultural Elite; Positionality; Outline of Chapters; Bibliography; Films Cited (Main Films Only); Chapter 2: Dakwah at the Cinema: Identifying the Generic Parameters of Islamic Films; Between the Purity of Dakwah and Market Forces; Film Islami as a Genre; Making Films the `Islamic ́Way.
- Obstacles and CensorshipBibliography; Films Cited (Main Films Only); Chapter 3: Visualising Muslim Women and Men: A Longue Durée; Gender as a Product of State Ideology and Censorship; Stirring Slowly from Passivity: Femininity in Indonesian Cinema; `The Film Industry Is Masculine:́ Masculinities in Indonesian Cinema; Gender Through an Islamic Cinematic Lens; Bibliography; Films Cited (Main Films Only); Chapter 4: Gender, Islam, and the Nation in New Order Islamic Films; The Men in White: Mystics and a Revolutionary Prince; Islamic Masculinity and the Modern Indonesian Nation.
- Woman as Mother of an Islamic NationA Woman Driven to Apostasy: Female Emancipation as Political Emancipation; Bibliography; Films Cited (Main Films Only); Chapter 5: Empowered Muslim Femininities? Representations of Women in Post-New Order Film Islami; Domestic Struggle as Spiritual Struggle; Subverting Agency in Mata Tertutup; Women Who Need Salvation: The Gender Politics of Interfaith Romance and Religious Conversion in Film Islami; The Rise of the Islamic Film Star; Bibliography; Films Cited (Main Films Only).
- Chapter 6: Poor, Polygamous, But Deeply Pious: Muslim Masculinities in Post-New Order Film IslamiThe Polygamous Muslim Man Who Meets His Comeuppance; Rich Man, Poor Man: Islamic Commentary on Socioeconomic Class and Masculinity; Martyrdom Mythologies? The Radical Muslim Man Versus the Moderate Muslim in 3 Doa 3 Cinta; Bibliography; Films Cited (Main Films Only); Chapter 7: Afterword; Islam and Gender in Indonesian Cinema: Beyond Veils and Turbans?; Bibliography; Bibliography; Films Cited (Main Films Only); Index.