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Players' work time : a history of the British Musicians' Union, 1893-2013 /

This critical account of the Musicians' Union from 1893-2013 explores the organisation's development as a set of responses to technological, industrial and socio-political changes.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Williamson, John, 1949- (Autor), Cloonan, Martin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Players' work time :  |b a history of the British Musicians' Union, 1893-2013 /  |c John Williamson and Martin Cloonan. 
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505 0 |a Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of figures; Acknowledgements; Notes on archives and other sources; List of abbreviations; Introduction; Prologue; Approach, methods, and sources; Precedents; Musicians as workers; Themes; 1 Musicians' organisations before 1893; Origins; The nineteenth century; Musicians' societies; Moves towards unionism; New unionism; The OA and the AMU; 2 Early days: the Amalgamated Musicians' Union, 1893-1918; Musical work in the 1890s; Union or association?; Defining the issues; Recruitment and industrial action. 
505 8 |a The AMU in the courtsGetting the message across; Political lobbying and campaigning; War; Conclusion; 3 Boom and bust: 1919-1933; From the AMU to the MU; Williams resigns; The profession; The arrival of broadcasting; Recordings; Crisis in the cinemas; Competition; More challenges; The Dance Band Section and MPPA; The trade union movement; Conclusion; 4 The politics of dancing: 1934-1945; Working life; Politics and internal machinations; Introducing a 'ban'; Shaping the Corporation; Performers' rights and PPL; War again; Conclusion; 5 Worlds of possibilities: 1946-1955; A survey. 
505 8 |a Bandleaders, composers, and semi-professionalsA leadership election; PPL, the BBC, and the post-war recording industry; The 1946 agreement; Broadcasting after 1947; Public performance; Internationalism; Challenging licensing; Aliens, orchestras, and jazz; Conclusion; 6 The beat generation: 1956-1970; Skiffle and records; Beat groups and session musicians; Orchestras; Internal affairs; A new leader; Keeping music live; Broadcasting; Copyright; Competition and exchanging musicians; Conclusion; 7 The John Morton years: 1971-1990; The changing MU; Commercial radio broadcasting; Annan's Report. 
505 8 |a A strike at the BBCThe return of the PRT; Trade union reform and a Commission; Conclusion; 8 Disharmony: 1991-2002; A report's fallout; Orchestral strife; Restructuring; Electoral problems; Conclusion; 9 Beginning again: the MU in the twenty-first century; Reorganising; Campaigning: live music and copyright; Equalities; The modern(ised) MU; Conclusion; Appendix: list of interviews; References; Index. 
520 |a This critical account of the Musicians' Union from 1893-2013 explores the organisation's development as a set of responses to technological, industrial and socio-political changes. 
504 |a Includes bibliographical references (pages 253-263) and index. 
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776 0 8 |i Print version:  |a Cloonan, Martin.  |t Players' work time : A history of the British Musicians' Union, 1893â2013.  |d Manchester : Manchester University Press, ©2016 
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