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Original Copies in Georges Perec and Andy Warhol.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL,
2016.
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| Colección: | Faux Titre Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments; Chapter 1 Introduction; Part 1 The Copy as Imitation and Enumeration in Perec; Chapter 2 Copious Beginnings; 2.1 The incipit of Un cabinet d'amateur (1979); 2.2 Defining the Copy; 2.3 Original and Copy; 2.4 Mimesis; 2.5 Copy as copia; Chapter 3 Copying in Literature; 3.1 Literature in the Age of the Scribe; 3.2 Literature in the Age of Mechanical Reproduction; Chapter 4 Perec and His Copies; 4.1 Copying in Cabinet; 4.2 Copies in Cabinet: A Brief Typology; Part 2 Pastiches; Chapter 5 Cabinet as Pastiche; Chapter 6 The Kunstkammer in History and in Cabinet.
- Chapter 7 The Discourse on AuthenticationPart 3 Paintings; Chapter 8 Copying in Painting; 8.1 The Tradition of the Painter-Apprentice; 8.2 Fakes, Forgeries, and Citations; Chapter 9 Painting in Cabinet; Chapter 10 Trompe-l'oeil and L'OEil ébloui (1981); Chapter 11 From One Canvas to Another; Part 4 Intertexts; Chapter 12 Intertextuality in Cabinet; Chapter 13 An Immediate Intratextual Source: La Vie mode d'emploi (1978); Chapter 14 An Intertextual Reference: Pierre Grassou by Balzac (1839); Chapter 15 An Early Intratextual Source: Le Condottière (1957-60).
- Chapter 16 To Copy Is to Create: Menard's "Copy"Chapter 17 The Copy in Warhol: Imitation, Enumeration, and Death; Part 5 Conclusion; Chapter 18 Copy Play in Perec and Warhol; 18.1 The Copy as Original and Double; 18.2 Hidden Origins: Fog and Fogging in Perec; 18.3 A Memorial and a Celebration, a Forging of Life from Death; Bibliography; Index.