Cargando…
Sarah Waters.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing PLC,
2017.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title Page; Copyright Page; Contents; Acknowledgements; Introduction: The Queer and Feminist Contextsöf Sarah Waters's Gender andÈSexualÈPolitics; Between Feminisms and Queer Theories; Positioning Waters's Feminist/Queer Writings; Sarah Waters's Gender and Sexual Politics; Notes; Chapter 1 Female Subjects: Feminisms, Queer Theories and the Contemporary 'Woman' Question in Tipping the Velvet; Lesbian Feminism, Queer Theory and the ContemporaryÈ'Woman' Question; Troubling 'woman'; Queer Aesthetics, Feminist Politics; Feminism is Queer: The New Wo/man; Notes.
- Chapter 2 A Journal of Two Hearts? Lesbian Identities and Politics in AffinityLesbian Feminism's Limitations; Queer theory: Is the Spectral Political?; Critical Theory's Failings; Towards Affinity; Notes; Chapter 3 Beyond the 'Sex Wars': Sex, Pleasure and Pornography in Fingersmith; Gender and Pornography; Sexuality and the Critique of 'Poisons'; Back to the Future: A Porn of One's Own; Reassessing Pornography; Notes; Chapter 4 'Back to Normal': Lost Histories/Affective Archives-The Night Watch; From History to Histories; Affective Histories; Notes.
- Chapter 5 The Little Stranger-A Study of the Heteropatriarchal Male and the Dynamics of Masculine DominationThe Male Subject; The Repudiation of Queer Masculinity; Queer Femininity and Masculine Domination; Masculine Domination and Symbolic Violence; Notes; Chapter 6 'I'd Had Terrific Plans': The Return of Gendered and Sexual Oppression in The Paying Guests; The Return of Domesticity; Resisting the Post-Feminist Mystique; Twenty-first Century 'Straight' Expectations; Everyday Sexism; Feminist and Queer Resistance and the Novel's Moral Quandary; Notes.
- Afterword: Telling it Straight?1 Waters's Afterlives on Stage and ScreenFemme-inizing Women; Adaptations and the Male Gaze; Straightening for screen?; Notes; Bibliography; Index.