Contemporary Russian cinema : symbols of a new era /

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Explores the symbolic mode in relation to contemporary Russian film. One of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Strukov, Vlad, 1973- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2016]
Temas:
Bibel > Philemonbrief
2000-2099
Motion pictures > Russia (Federation) > History > 21st century.
Motion pictures > Russia (Federation) > History and criticism.
Motion pictures > Production and direction > Russia (Federation)
Symbolism in motion pictures.
Cinéma > Production et réalisation > Russie.
Symbolisme au cinéma.
PERFORMING ARTS > Film & Video > Reference.
Motion pictures
Motion pictures > Production and direction
Symbolism in motion pictures
Russia (Federation)
Russland
Electronic books.
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction. Conceptualising the period ; Overview of the contemporary Russian film ; Critical review of scholarship on contemporary Russian film ; Contextualising the present study ; Theorising contemporary Russian cinema
  • 1. Abstracted subjectivity and knowledge-worlds : Aleksandr Sokurov's Taurus (2001)
  • 2. The lacking sense of cinema : Aleksandr Proshkin's The miracle (2009)
  • 3. Gatekeepers of (non- )knowledge : Aleksei Balabanov's Morphine (2008)
  • 4. Symbolic folds and flattened discourse : Andrei Zviagintsev's Elena (2010)
  • 5. Non-knowledge and the symbolic mode : Nikolai Khomeriki's A tale about darkness (2009)
  • 6. The world and the event : Kirill Serebrennikov's St. George's Day (2008)
  • 7. A plea for the dead (self) : Renata Litvinova's Goddess : how I fell in love (2004)
  • 8. Body in crisis and posthumous subjectivity : Igor' Voloshin's Nirvana (2008)
  • 9. The difficulty of being dead : Aleksandr Veledinskii's Alive (2006)
  • 10. Intentionality and modelled subjectivities : Aleksei Fedorchenko's Silent souls (2010)
  • 11. Abandoned being : Mikhail Kalatozishvili's The wild field (2008)
  • 12. Amplifications of subjectivity : Aleksandr Zel'dovich's The target (2010)
  • Conclusions.

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