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Contemporary Russian cinema : symbols of a new era /
Explores the symbolic mode in relation to contemporary Russian film. One of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Strukov, Vlad, |d 1973- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjJqRkCmr7K4jP73VHBPpP | |
| 245 | 1 | 0 | |a Contemporary Russian cinema : |b symbols of a new era / |c Vlad Strukov. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (ix, 285 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes filmography. | ||
| 504 | |a Includes bibliographical references (pages 264-280) and index. | ||
| 505 | 0 | |a Introduction. Conceptualising the period ; Overview of the contemporary Russian film ; Critical review of scholarship on contemporary Russian film ; Contextualising the present study ; Theorising contemporary Russian cinema -- 1. Abstracted subjectivity and knowledge-worlds : Aleksandr Sokurov's Taurus (2001) -- 2. The lacking sense of cinema : Aleksandr Proshkin's The miracle (2009) -- 3. Gatekeepers of (non- )knowledge : Aleksei Balabanov's Morphine (2008) -- 4. Symbolic folds and flattened discourse : Andrei Zviagintsev's Elena (2010) -- 5. Non-knowledge and the symbolic mode : Nikolai Khomeriki's A tale about darkness (2009) -- 6. The world and the event : Kirill Serebrennikov's St. George's Day (2008) -- 7. A plea for the dead (self) : Renata Litvinova's Goddess : how I fell in love (2004) -- 8. Body in crisis and posthumous subjectivity : Igor' Voloshin's Nirvana (2008) -- 9. The difficulty of being dead : Aleksandr Veledinskii's Alive (2006) -- 10. Intentionality and modelled subjectivities : Aleksei Fedorchenko's Silent souls (2010) -- 11. Abandoned being : Mikhail Kalatozishvili's The wild field (2008) -- 12. Amplifications of subjectivity : Aleksandr Zel'dovich's The target (2010) -- Conclusions. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Explores the symbolic mode in relation to contemporary Russian film. One of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established directors such as Sokurov, Zviagintsev and Zel'dovich, as well as lesser-known filmmakers like Balabanov, Fedorchenko and Kalatozishvili, Contemporary Russian Cinema: Symbols of a New Era explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language. Whether directed towards a mystical world, or even towards an afterlife, the symbolic mode defines the emergence of a specific mindscape which has escaped previous representational forms and is intrinsically linked to Russia's dramatic political and economic development since the turn of the 21st century. Key Features. Offers a new perspective on contemporary film in the symbolic mode Provides a thorough examination of works by established directors such as Sokurov, Zviagintsev and Zel'dovich, as well as lesser-known filmmakers like Balabanov, Fedorchenko and Kalatozishvili | ||
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| 650 | 0 | |a Motion pictures |z Russia (Federation) |x History |y 21st century. | |
| 650 | 0 | |a Motion pictures |z Russia (Federation) |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x Production and direction |z Russia (Federation) | |
| 650 | 0 | |a Symbolism in motion pictures. | |
| 650 | 6 | |a Cinéma |x Production et réalisation |z Russie. | |
| 650 | 6 | |a Symbolisme au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Production and direction |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Strukov, Vlad, 1973- |t Contemporary Russian cinema. |d Edinburgh : Edinburgh University Press, [2016] |z 9781474407649 |w (DLC) 2016287143 |w (OCoLC)914326186 |
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