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161119s2011 xx ob 001 0 eng d |
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|a 9781612491486
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|a 1612491480
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|z 9781557536044
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|a (OCoLC)963695982
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|a PQ7390.S28Z845 2011
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|a 864/.64
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|a UAMI
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|a Pérez, Rolando.
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|a Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts.
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|a Ashland :
|b Purdue University Press,
|c 2011.
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|a 1 online resource (295 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Purdue Studies in Romance Literatures
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|a Print version record.
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|a Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction; Chapter One: Sarduy as Critic of the Baroque and the Neo-Baroque Figure in Science and Art; Figures of Scientific Rhetoric; Figure I: The Perfect, Moral Circle of the High Renaissance; Figure II: The Ellipse, or the Unnatural, "Perverted" Circle; Figure III: Trompe l'Œil and the Anamorphic Image; Figure IV: The Aberrant Image of Simulation; Figure V: The Neo-Mannerism of the Spanish, Colonial, and Neo-Baroque Image; "Conclusion" by Way of the Retombée.
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|a Chapter Two: Sarduy's Figural Art/Writing: Writing/Art BodyThe Architectural Body; The Painterly Body: Bronzino, Rubens, and Beyond; Biological Anamorphosis, Trompe l'Œil, and Body Painting; The Colonial and Monstrous Body; Fetishism and the Body That Is Double ... and More Than Double; Fijeza, Yin-Yang, and the Inscribed Body of Sadomasochism; The Eastern White Body of "Emptiness"; Chapter Three: Big Bang, Klang Klang, and Painting; The Pictorial/Rhetorical Figure of the Universe (Barroco and Big Bang); White: Red and Black; From Mallarmé's Typography to Concrete Poetry and Galáxias.
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|a The New World Baroque Aesthetics of Big BangThe Music in Painting/Writing: Lorca, Jazz, Mondrian, Kandinsky, Etc.; The Figural Body of the Dance of Life and Death; Conclusion; Chapter Four: Colors, Bodies, Voices, and the Click-Clack of Theater; The Four Primary Colors; White, Black, and Red; The Erotic Body; Sound and Music; Funerary Baroque; Del Yin al Yang; Decolonization: The Circle of Los matadores de hormigas; Conclusion; Conclusions Continuities; Illustrations; Notes; Bibliography; Index.
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|a Includes bibliographical references and index.
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a Sarduy, Severo
|x Criticism and interpretation.
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|a Sarduy, Severo
|x Knowledge
|v Art.
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|a Sarduy, Severo
|x Aesthetics.
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|a Sarduy, Severo
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJm99KT6ymjRDbvgb8cF8C
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|a Art and literature.
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|a Art et littérature.
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|a Aesthetics
|2 fast
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|a Art
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|a Art and literature
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a Severo Sarduy and the neo-baroque image of thought in the visual arts (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGCTMp6g9d7vPjdbpBpr4q
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|a Pérez, Rolando.
|t Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts.
|d Ashland : Purdue University Press, ©2011
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830 |
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|a Purdue studies in Romance literatures.
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4742587
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL4742587
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|a 92
|b IZTAP
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