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Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pérez, Rolando
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ashland : Purdue University Press, 2011.
Colección:Purdue studies in Romance literatures.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Pérez, Rolando. 
245 1 0 |a Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts. 
260 |a Ashland :  |b Purdue University Press,  |c 2011. 
300 |a 1 online resource (295 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Purdue Studies in Romance Literatures 
588 0 |a Print version record. 
505 0 |a Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; Introduction; Chapter One: Sarduy as Critic of the Baroque and the Neo-Baroque Figure in Science and Art; Figures of Scientific Rhetoric; Figure I: The Perfect, Moral Circle of the High Renaissance; Figure II: The Ellipse, or the Unnatural, "Perverted" Circle; Figure III: Trompe l'Œil and the Anamorphic Image; Figure IV: The Aberrant Image of Simulation; Figure V: The Neo-Mannerism of the Spanish, Colonial, and Neo-Baroque Image; "Conclusion" by Way of the Retombée. 
505 8 |a Chapter Two: Sarduy's Figural Art/Writing: Writing/Art BodyThe Architectural Body; The Painterly Body: Bronzino, Rubens, and Beyond; Biological Anamorphosis, Trompe l'Œil, and Body Painting; The Colonial and Monstrous Body; Fetishism and the Body That Is Double ... and More Than Double; Fijeza, Yin-Yang, and the Inscribed Body of Sadomasochism; The Eastern White Body of "Emptiness"; Chapter Three: Big Bang, Klang Klang, and Painting; The Pictorial/Rhetorical Figure of the Universe (Barroco and Big Bang); White: Red and Black; From Mallarmé's Typography to Concrete Poetry and Galáxias. 
505 8 |a The New World Baroque Aesthetics of Big BangThe Music in Painting/Writing: Lorca, Jazz, Mondrian, Kandinsky, Etc.; The Figural Body of the Dance of Life and Death; Conclusion; Chapter Four: Colors, Bodies, Voices, and the Click-Clack of Theater; The Four Primary Colors; White, Black, and Red; The Erotic Body; Sound and Music; Funerary Baroque; Del Yin al Yang; Decolonization: The Circle of Los matadores de hormigas; Conclusion; Conclusions Continuities; Illustrations; Notes; Bibliography; Index. 
504 |a Includes bibliographical references and index. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
600 1 0 |a Sarduy, Severo  |x Criticism and interpretation. 
600 1 0 |a Sarduy, Severo  |x Knowledge  |v Art. 
600 1 0 |a Sarduy, Severo  |x Aesthetics. 
600 1 7 |a Sarduy, Severo  |2 fast  |1 https://id.oclc.org/worldcat/entity/E39PBJm99KT6ymjRDbvgb8cF8C 
650 0 |a Art and literature. 
650 6 |a Art et littérature. 
650 7 |a Aesthetics  |2 fast 
650 7 |a Art  |2 fast 
650 7 |a Art and literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a Pérez, Rolando.  |t Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts.  |d Ashland : Purdue University Press, ©2011 
830 0 |a Purdue studies in Romance literatures. 
856 4 0 |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4742587  |z Texto completo 
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