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The multisensory film experience : a cognitive model of experiential film aesthetics /
When the lights dim in a movie theater and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, "The multisensory film experience" analy...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Antunes, Luis Rocha, |e author. | |
| 245 | 1 | 4 | |a The multisensory film experience : |b a cognitive model of experiential film aesthetics / |c Luis Rocha Antunes. |
| 246 | 3 | 0 | |a Cognitive model of experiential film aesthetics |
| 264 | 1 | |a Bristol, UK : |b Intellect, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xiv, 204 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 181-198), filmography (pages 201-204). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Foreword by Michael Grabowski; Acknowledgements; Chapter 1: The Multisensory Film Experience, Experiential Film Aesthetics, Cinema and the Senses ; Chapter 2: The Vestibular in Film: Orientation and Balance in Gus Van Sant's Cinema of Walking; Chapter 3: Nociception in Film: A Cinematic Account of Ki-Duk Kim's Aesthetics of Pain; Chapter 4: Thermoception in Film: Knut Erik Jensen's Experiential Aesthetics of Cold; Chapter 5: Conclusion; Bibliography; Filmography; Back Cover. | |
| 520 | |a When the lights dim in a movie theater and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, "The multisensory film experience" analyzes temperature, pain, and balance in order to argue that it is the "experience" of film that is inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of filmmakers Erik Jensen, Gus Van Sant, and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. | ||
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| 600 | 1 | 7 | |a Gim, Gi deog |d 1960-2020 |2 gnd |
| 600 | 1 | 7 | |a Jensen, Knut Erik |d 1940- |2 gnd |
| 600 | 1 | 7 | |a Van Sant, Gus |d 1952- |2 gnd |
| 630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART / General |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
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| 758 | |i has work: |a The multisensory film experience (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG4HXPFGpfX9byMYWydDHK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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