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Collaborative Translation : From the Renaissance to the Digital Age.
For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators - sometimes teams comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Bloomsbury USA Academic,
2016.
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| Colección: | Bloomsbury advances in translation.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Collaborative Translation : |b From the Renaissance to the Digital Age. |
| 264 | 1 | |a [Place of publication not identified] : |b Bloomsbury USA Academic, |c 2016. | |
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| 490 | 1 | |a Bloomsbury advances in translation series | |
| 505 | 0 | |a Title Page; Copyright Page; Contents; Notes on Contributors; Chapter 1 What Is Collaborative Translation?; Relationality and the perils of definition; Author and translator: Myths of singularity; Sociologies of collaborative translation; Historicizing the myths of collaborative translation; Singular or plural: Competing or complementary ontologies?; Conclusion; Notes; Works cited; Part 1 Reconceptualizing the Translator: Renaissance and Enlightenment Perspectives | |
| 505 | 8 | |a Chapter 2 On the Incorrect Way to Translate: The Absence of Collaborative Translation from Leonardo Bruni's De interpretatione recta'The correct way to translate'; Dealing with translation's multiplicity; Notes; Works cited; Chapter 3 'Shared' Translation: The Example of Forty Comedies by Goldoni in France (1993-4); On 'shared' translation: Elements of a debate; An experience of shared translation: Between academic research, publishing and staging; The integration of the spectator in the translation process; Limits and perspectives; Notes; Works cited | |
| 505 | 8 | |a Chapter 4 For a Practice-Theory of Translation: On Our Translations of Savonarola, Machiavelli, Guicciardini and Their EffectsAn empirical path; The quality of the times; Political philology; Il Modo del Tradurre: 'General rule' and 'partial rules'; The choice to translate together; Orality 1: The Septuagint as ancestors of the translation workshop?; Orality 2: The 'oratory numbers', from Bruni and Dolet to Meschonnic; For a description of the translation process: The HM tool; An important clue: How to translate words?; Reflecting on the act of translation; Conclusion; Notes; Works cited | |
| 505 | 8 | |a Part 2 Collaborating with the AuthorChapter 5 Author-Translator Collaborations: A Typological Survey; Carte blanche and recommendations; Revision, questions-and-answers, back-and-forths; Closelaborations; Rarity and reliability of sources; Conflictual relationships; Authorial appropriation; Intention and auctoritas; For better and for worse; Notes; Works cited; Chapter 6 Vladimir Nabokov and His Translators: Collaboration or Translation Under Duress?; Collaboration with the Anglophone translators; Collaborations with Francophone translators; Conclusion; Notes; Works cited | |
| 505 | 8 | |a Chapter 7 Günter Grass and His Translators: From a Collaborative Dynamic to an Apparatus of Control?Der Butt, 1978: From collaboration to control?; Grimms Wörter, 2011: 'Become authors!'; A final major issue: The translator's visibility; Notes; Works cited; Chapter 8 Contemporary Poetry and Transatlantic Poetics at the Royaumont Translation Seminars (1983-2000): An Experimental Language Laboratory; Origins and aims; A transatlantic affair?; Collaborative practices; Foreignizing strategies; Legacies of Royaumont; Notes; Works cited; Part 3 Environments of Collaboration | |
| 520 | 8 | |a For centuries, the art of translation has been misconstrued as a solitary affair. Yet, from Antiquity to the Middle Ages, groups of translators - sometimes teams comprised of specialists of different languages formed in order to transport texts from one language and culture to another. Collaborative Translation: from the Renaissance to the Digital Age uncovers the collaborative practices occluded in Renaissance theorizing of translation to which our individualist notions of translation are indebted. Leading translation scholars as well as professional translators have been invited here to detail their experiences of collaborative translation, as well as the fruits of their research into this neglected form of translation. This volume offers in-depth analysis of rich, sometimes explosive, relationships between authors and their translators. Their negotiations of cooperation and control, assistance and interference, are shown here to shape the translation of prominent modern authors such as Gunter Grass, Vladimir Nabokov and Haruki Murakami. The advent of printing, the cultural institutions and the legal and political environment that regulate the production of translated texts have each formalized many of the inherently social and communicative practices of translation. Yet this publishing regime has been profoundly disrupted by the technologies that are currently revolutionizing collaborative translation techniques. | |
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