Early modern women and the poem.

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Examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wiseman, Susan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Manchester University Press, 2016.
Temas:
1500-1700
English poetry > Early modern, 1500-1700 > History and criticism.
Women > Books and reading > Great Britain > History > 16th century.
Women > Books and reading > Great Britain > History > 17th century.
Literature and society > Great Britain > History > 16th century.
Literature and society > Great Britain > History > 17th century.
Littérature et société > Grande-Bretagne > Histoire > 16e siècle.
Littérature et société > Grande-Bretagne > Histoire > 17e siècle.
LITERARY CRITICISM / Poetry.
English poetry > Early modern
Literature and society
Women > Books and reading
Great Britain
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Early modern women and the poem; Half Title Page; Title Page; Copyright; Contents; Contributors; Preface and acknowledgements; Introduction: Researching early modern women and the poem: Susan Wiseman; Part I: Inheritance; CHAPTER 1: Women's poetry and classical authors: Lucy Hutchinson and the classicisation of scripture: Edward Paleit; CHAPTER 2: Elizabeth Melville and the religious sonnet sequence in Scotland and England: Sarah C.E. Ross; CHAPTER 3: The Sapphic context of Lady Mary Wroth's: Line Cottegnies.
  • CHAPTER 4: Women poets and men's sentences: genre and literary tradition in Katherine Philips's early poetry: Gillian WrightPart II: Circulation; CHAPTER 5: 'We thy Sydnean Psalmes shall celebrate': collaborative authorship, Sidney's sister and the English devotional lyric: Suzanne Trill; CHAPTER 6: Mary Wroth and hermaphroditic circulation: Paul Salzman; CHAPTER 7: Sisterhood and female friendship in Constance Aston Fowler's verse miscellany: Helen Hackett; CHAPTER 8: Late seventeenth-century women poets and the anxiety of attribution: Margaret J.M. Ezell; Part III: Narrative.
  • CHAPTER 9: Rethinking authorial reluctance in the paratexts to Anne Bradstreet's poetry: Patricia PenderCHAPTER 10: A 'goodly sample': exemplarity, female complaint and early modern women's poetry: Rosalind Smith; CHAPTER 11: 'The nine-liv'd Sex': women and justice in seventeenth-century popular poetry: Judith Hudson; CHAPTER 12: The contemplative woman's recreation? Katherine Austen and the estate poem: Susan Wiseman; AFTERWORD: Reading early modern women and the poem: Patricia Pender and Rosalind Smith; Index.

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