|
|
|
|
LEADER |
00000cam a2200000 4500 |
001 |
EBOOKCENTRAL_ocn960165980 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n|---||||| |
008 |
161112s2015 enk ob 001 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d NLE
|d OCLCO
|d OCLCF
|d OCLCA
|d OCLCQ
|d OCLCO
|d OCLCA
|d NLW
|d OCLCQ
|d UKAHL
|d OCLCQ
|d AUD
|d K6U
|d OCLCO
|d OCLCQ
|d OCLCO
|d DEGRU
|d OCLCL
|
019 |
|
|
|a 1164780955
|a 1289833009
|
020 |
|
|
|a 9781526103239
|
020 |
|
|
|a 1526103230
|
020 |
|
|
|a 9781526103246
|q (ePUB eBook)
|
020 |
|
|
|a 1526103249
|
020 |
|
|
|a 9781526103246
|
020 |
|
|
|z 9780719083730
|q (hardback)
|
020 |
|
|
|z 9781784993665
|q (paperback)
|
024 |
7 |
|
|a 10.7765/9781526103239
|2 doi
|
029 |
1 |
|
|a AU@
|b 000060039265
|
029 |
1 |
|
|a AU@
|b 000069392509
|
035 |
|
|
|a (OCoLC)960165980
|z (OCoLC)1164780955
|z (OCoLC)1289833009
|
043 |
|
|
|a f-sa---
|
050 |
|
4 |
|a PN2984.2.H883 2013
|
072 |
|
7 |
|a MUP15
|2 mup
|
072 |
|
7 |
|a 1HFMS
|2 bicssc
|
072 |
|
7 |
|a PER011000
|2 bisach
|
072 |
|
7 |
|a DSG
|2 thema
|
082 |
0 |
4 |
|a 792.09680000000003
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Hutchison, Yvette.
|
245 |
1 |
0 |
|a South African performance and archives of memory.
|
260 |
|
|
|a Oxford :
|b Manchester University Press,
|c 2015.
|
300 |
|
|
|a 1 online resource (251 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Theatre Theory Practice Performance MUP
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover; South African performance and archives of memory; Contents; List of illustrations; Acknowledgements; Note on terminology; Introduction; 1 The Truth and Reconciliation Commission's reconfiguring of the past: remembering and forgetting; 2 Dramatising the Truth and Reconciliation Commission: the role of theatre practitioners in exploring the past; 3 Staging a nation: the Voortrekker Monument and Freedom Park; 4 Performing the African Renaissance and the 'rainbow nation'; 5 Post-apartheid repertoires of memory; Select bibliography; Index.
|
520 |
|
|
|a This book argues that memory functions as a key element in contemporary South African re-imagining of historical events and in constructing new definitions of national and personal identity. It compares two ways in which memory is embodied: in repertoires of practices, songs, dance, rituals, and in material archives, texts, documents, buildings.
|
504 |
|
|
|a Includes bibliographical references and index.
|
546 |
|
|
|a In English.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a South African drama
|x History and criticism.
|
650 |
|
0 |
|a Collective memory
|z South Africa.
|
650 |
|
0 |
|a Theater
|x Political aspects
|z South Africa.
|
650 |
|
6 |
|a Mémoire collective
|z Afrique du Sud.
|
650 |
|
6 |
|a Théâtre
|x Aspect politique
|z Afrique du Sud.
|
650 |
|
7 |
|a Literary Studies: Plays & Playwrights.
|2 bicssc
|
650 |
|
7 |
|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Collective memory
|2 fast
|
650 |
|
7 |
|a South African drama
|2 fast
|
650 |
|
7 |
|a Theater
|x Political aspects
|2 fast
|
651 |
|
7 |
|a South Africa
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJcWtkkqd3cMmFw9GBdYT3
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
700 |
1 |
|
|a Delgado, Maria M.
|
700 |
1 |
|
|a Gale, Maggie B.
|
700 |
1 |
|
|a Lichtenfels, Peter.
|
776 |
0 |
8 |
|i Print version:
|a Hutchison, Yvette.
|t South African performance and archives of memory.
|d Oxford : Manchester University Press, ©2015
|
830 |
|
0 |
|a Theatre Theory Practice Performance MUP.
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4706869
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9781526103239
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH29812689
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL4706869
|
994 |
|
|
|a 92
|b IZTAP
|