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German Television : Historical and Theoretical Perspectives.
Long overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of pen...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Berghahn Books,
2016.
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| Colección: | Film Europa.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Figures and Tables; Introduction
- German Television: Culture, Technology, or Cultural Technology?; Part I
- Technical Prehistory and Theoretical Approaches; Chapter 1
- The Third Image: Contingencies and Ruptures in the Technological History of Television; Chapter 2
- Boredom, War, and Paradox: German Theories of Television; Part II
- GDR Television; Chapter 3
- ""Just Like in the West, Except Different"": Television and Its Relationship to Film in the Context of 1950s GDR Development; Chapter 4
- Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten.
- Part III
- Television in the Federal Republic: Auteurist TVChapter 5
- ""A Challenge, Maybe the Greatest for a Filmmaker"": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974); Chapter 6
- Nah am Fern: Kluge TV; Part IV
- Present and Future Perspectives; Chapter 7
- Television History in Germany: Media-Political and Media-Ethical Aspects; Chapter 8
- Germany as TV Show Import Market; Chapter 9
- Heritage, Heimat, and German Historical ""Event Television"": Nico Hofmann's teamWorx; Chapter 10
- Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural; Bibliography.