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Figural philology : Panofsky and the science of things /
Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofsky's declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art hist...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Academic,
2016.
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| Colección: | Bloomsbury studies in continental philosophy.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- FC; Half title; Also available from Bloomsbury; Title; Copyright; Contents; Acknowledgements; 1 Philological rationality and the constitution of the history of art; 2 Archimedean points: Monuments as duration reservoirs; Panofsky's Riegl; Philological imperatives in Riegl's methods; The curse and the blessing in the study of artworks; Art history as Korrektur of monuments; Riegl's Alterswert; Kunstwollen and meaning; Philological reproduction of past realities; 3 Forms and figures: Two fundamental modes of pictorial production; Forms and figures within the pictorial domain.
- Figuration in the history of artThe figural situation; Figuration and meaning; Forms and figures; From the plastic to the pictorial; 4 Pictorial validities in art and history; Panofsky's Idea and the disclosure of the iconoclastic structure; Ideas between truth and reality in Idea; Auerbach's 'Figura': Plasticity and history; 'Real and historical': The figural mechanics of validation; Reality, value and truth: Two versions of realist argumentation; Iconophilic method; 5 Sub figuralitate historiæ; The figure and the reality of the past; Figural and historical meaning.
- 6 Iconological space: Panofsky with WarburgPanofsky's historical space-time; Simmel's historical time; Warburg's art history and philology; Warburg's philological gaze; Vitalisms and archaism; Iconology and philology; 7 The figural synthesis of historical reality in the iconology table; Synthesis; Symbols, ideas and values; From symbolical value to synthetic intuition; Intuition and synthesis; Figural synthesis; 8 Philology's recollective habitus: Panofsky with Spitzer, Auerbach and Curtius; The Aristotelian distinction between memory and recollection; Two modes of memory.
- The role of figures in recollectionHumanism as a recollective activity; Hylomorphist humanism; Figural distinction: A model for the recollective disjunction; Elastic hylomorphism; 9 Figural content and the past as a res extensa; Iconoclasm, iconism and the reality of the past; The past reality of a work versus historical meaning; The two unseen prototypes of the artwork; Vanishing point and carrying surface: Spatialities of historical explication; Past reality of works and the reality of the past; The distance between the reality of the past and the historical reality of a work.
- Nonseen and figuredConclusion: Towards a figural philology; The domain; Historical meaning, past reality, historical reality; Philological production; Figural synthesis; Distinctive realism; Untemporal history; Moderate historicism; Panofsky; Notes; Bibliography; Index.