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Globalization and the state in contemporary crime fiction : a world of crime /

Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and te...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Schmid, David (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Palgrave Macmillan, 2016.
Colección:Crime files series.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Globalization and the state in contemporary crime fiction :  |b a world of crime /  |c Andrew Pepper, David Schmid, editor. 
264 1 |a London :  |b Palgrave Macmillan,  |c 2016. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
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490 1 |a Crime files 
504 |a Includes bibliographical references and index. 
588 0 |a Online resource, title from PDF title page (EBSCO, viewed October 10, 2016). 
505 0 |a Notes on the Contributors; Introduction: Globalization andẗheÈState inÈContemporary Crime Fiction; The State andẗheÈGlobe; Globalization andẗheÈState inÈContemporary Crime Fiction; A World ofÈCrime; Bibliography; The Bad andẗheËvil: Justice inẗheÈNovels ofÈPago Ignacio Taibo II; Bibliography; Work andÈDeath inẗheÈGlobal City: Natsuo Kirino's Out asÈNeoliberal Noir; Transnational Noir; Noir inẗheÈGlobal City; Out asÈNeoliberal Noir; "Lunch ofÈChampions"; The Gendering ofËxploitation; Taking Out theÈTrash; Noir or Life Between Two Deaths; (Beyond) TheÈNeoliberal Death Drive. 
505 8 |a The Way OutThe Work ofÈNoir; Bibliography; "Local Hells" andÈState Crimes: Place, Politics, andÈDeviance inÈDavid Peace's Red Riding Quartet; Bloody Yorkshire; Local Hells; Peace Man; Politics ofÈLocation; Bibliography; The State We're In: Global Politics andËconomics inẗheÈNovels ofÈDominique Manotti; Bibliography; The Scene ofẗheÈCrime is theÈCrime: TheÈSouthern Border andẗheÈRepresentation ofÈViolence inÈCormac McCarthy andÈDon Winslow; Cormac McCarthy's Crime Scene; The Uncanny Crime Scene ofẄinslow's The Power ofẗheÈDog; Bibliography. 
505 8 |a True-Crime, Crime Fiction, andÈJournalism inÈMexicoBibliography; The Novel ofÈViolence inÈLatin American Literature; Crime Fiction andÈModernity; Roberto Bolaäno's 2666; The brutalist fiction ofÈRubem Fonseca; Garcia-Roza's novels: theÏnspector Espinosa Mysteries; The Novel ofÈViolence: aÈNew Literary Genre?; Bibliography; Scandinavian Crime Fiction andẗheÈFacts: Social Criticism, Epistemology, andÈGlobalization; Globalization asËpistemological Problem; Scandinavian Crime Fiction's Epistemologies; The Independent-Minded Investigator; The Emotional Investigator; The Revenge ofẗheÈPositivist. 
505 8 |a Just theÈFactsBibliography; John le CarrĐe andÈTheÈNew Novel ofÈGlobal (In)security; A Most Wanted Man: TheÈPolitics ofÈPreemption; Our Kind ofÈTraitor: TheÈState-Organized Crime Nexus; A Delicate Truth: Public/Private Security andẗheÈMarketization ofÏntelligence; Bibliography; Geopolitical Reality: TheÈThriller, Global Power, andẗheÈLogic ofÈRevelation; Introduction: TheÈThriller, Realism, andÈCrime Fiction; The Thriller: Conspiracy andÈTotality; Alternative History; Murder, Killing andÈGenocide; Typology, Ideology, Purely Objective Reality; Conclusion: TheÈPlace ofÈGlobal Power. 
520 |a Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction - and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state. 
590 |a ProQuest Ebook Central  |b Ebook Central Academic Complete 
650 0 |a Globalization in literature. 
650 0 |a Detective and mystery stories  |x History and criticism. 
650 6 |a Mondialisation dans la littĐerature. 
650 7 |a Literature: history & criticism.  |2 bicssc 
650 7 |a Crime & criminology.  |2 bicssc 
650 7 |a Literary studies: from c 1900.  |2 bicssc 
650 7 |a LITERARY CRITICISM  |x Mystery & Detective.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Subjects & Themes  |x Politics.  |2 bisacsh 
650 7 |a Detective and mystery stories  |2 fast 
650 7 |a Globalization in literature  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
700 1 |a Schmid, David,  |e editor. 
758 |i has work:  |a Globalization and the state in contemporary crime fiction (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCFGK8vmQR99MBbQbCWMhgX  |4 https://id.oclc.org/worldcat/ontology/hasWork 
773 0 |t Springer eBooks 
776 0 8 |i Print version:  |t Globalization and the state in contemporary crime fiction : a world of crime.  |d London, [England] : Palgrave Macmillan, Ã2016  |h ix, 247 pages  |k Crime files series.  |z 9781137425720 
830 0 |a Crime files series. 
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