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The Bible in motion : a handbook of the Bible and its reception in film /
This two-part volume contains a comprehensive collection of essays by well-known scholars focusing on the reception of the Bible in world cinema. It explores selected biblical characters and themes, directors whose work addresses biblical texts and motifs, particular interpretive lenses, a wide arra...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin :
De Gruyter,
[2016]
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| Colección: | De Gruyter reference.
Handbooks of the Bible and its reception ; volume 2. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- General Introduction: The Bible and Its Cinematic Reception
- I. Biblical Characters and Stories (Hebrew Bible) ; 1. In the Beginning: Adam and Eve in Film ; 2. Noah and the Flood: A Cinematic Deluge ; 3. It's All in the Family: The Patriarchs of Genesis in Film 4. The Cinematic Moses ; 5. Samson and Delilah in Film ; 6. There Might Be Giants: King David on the Big (and Small) Screen ; 7. Esther in Film
- II. Film Genres and Styles ; 8. Scripture on Silent Film ; 9. Film Noir and the Bible 10. The Bible Epic ; 11. Western Text(s): The Bible and the Movies of the Wild, Wild West ; 12. Mysteries of the Bible (Documentary) Revealed: The Bible in Popular Non-Fiction and Documentary Film ; 13. From Skepticism to Piety: The Bible and Horror Films ; 14. "Moses' DVD Collection": The Bible and Science Fiction Film 15. The Word Made Gag: Biblical Reception in Film Comedy ; 16. Drawing (on) the Text: Biblical Reception in Animated Films ; 17. Anime and the Bible
- III. Biblical Themes and Genres ; 18. God at the Movies ; 19. Satan in Cinema 20. Creation and Origins in Film ; 21. The Book of Job in the Movies: On Cinema's Exploration of Theodicy and the Hiddenness of God ; 22. Lament in Film and Film as Lament ; 23. What Lies Beyond? Biblical Images of Death and Afterlife in Film ; 24. This Is the End: Apocalyptic Moments in Cinema.