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Theatre Semiotics : Text and Staging in Modern Theatre.
Theatre Semiotics provides a thorough argument for the place and the necessity of semiotics within the interpretive process of theatre.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
1995.
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| Edición: | 2nd ed. |
| Colección: | Toronto studies in semiotics and communication.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Acknowledgements
- FOREWORD TO THE SPANISH EDITION
- FOREWORD
- PREFACE
- INTRODUCTION
- CHAPTER I: THEATRE DISCOURSE
- I. The Notion of Discourse
- II. Theatre Discourse
- A) Speaker/Hearer
- B) Enunciative Situation/Utterance
- C) Deixis/Anaphora
- III. Functions of Theatre Discourse
- A) Functions of Language in Theatre
- B) Functions of the Actor's Discourse
- IV. Specification of Theatre Discourse
- Notes
- CHAPTER II: TEXT, DRAMATIC TEXT, PERFORMANCE TEXT
- I. Text
- A) The Semiological View
- B) The Classical View
- II. The Dramatic Text
- A) Textual Function
- B) Stage Function
- III. Performance Text
- A) Production Text
- B) Performance Text
- Notes
- CHAPTER III: THEATRE SEMIOTICS
- I. Semiosis
- A) The Notion of Semiotics
- B) The Various Versions of Sign
- II. The Nature of the Theatre Sign
- A) Signs of Signs
- B) The Mobility of the Theatre Sign
- C) Redundancy of the Theatre Sign
- III. The Icon, the Index, the Symbol According to Peirce
- A) The Icon
- B) The Index
- C) The Symbol
- IV. The Icon, the Index, and the Symbol at Work in Theatre
- A) Iconic Function
- B) Indexical Function
- C) Symbolic Function
- V. Theatre Referentiality
- A) Referent/Reference
- B) Theatre Referentiality
- Notes
- CHAPTER IV: THEATRE RECEPTION
- I. Reception Theory
- A) Places of Indetermination
- B) Objectivization
- C) Actualization
- D) Concretization
- E) Horizon of Expectation
- II. Theatre Reception
- A) Mode of Production and Reception
- B) Directorial Concretization
- C) Spectatorial Concretization
- D) Concretization Process
- III. New Perspectives
- A) Object of Study
- B) Levels of Receptive Activity
- C) Methodology
- Notes
- CHAPTER V: TOWARDS AN ACTANTIAL MODEL FOR THEATRE
- I. Background
- II. The Actantial Model
- A) Subject/Object.
- B) Sender/Receiver
- C) Helper/Opponent
- D) Actants, Actors, Roles
- E) Sequences
- Notes
- CHAPTER VI: THEATRE HISTORY AND SEMIOTICS
- I. General Background
- II. The Current State of Affairs in Historical Research
- III. Literary History in Latin America: One Example
- A) The Generational Method and Literary Currents
- B) Periodization
- IV. Theoretical Proposal
- A) Formal Level
- B) Contextual Level
- V. Methodology
- Notes
- BIBLIOGRAPHY.