|
|
|
|
LEADER |
00000cam a2200000 4500 |
001 |
EBOOKCENTRAL_ocn958576001 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n|---||||| |
008 |
160917s2009 vra o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d N$T
|d OCLCF
|d OCLCQ
|d K6U
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCL
|
019 |
|
|
|a 1089009914
|a 1264730614
|
020 |
|
|
|a 0522860028
|
020 |
|
|
|a 9780522860023
|q (electronic bk.)
|
035 |
|
|
|a (OCoLC)958576001
|z (OCoLC)1089009914
|z (OCoLC)1264730614
|
050 |
|
4 |
|a PN55 .C384 2009
|
082 |
0 |
4 |
|a 791.43615
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Creed, Barbara.
|
245 |
1 |
0 |
|a Darwin's Screens.
|
260 |
|
|
|a Melbourne :
|b Melbourne University Press,
|c 2009.
|
300 |
|
|
|a 1 online resource (256 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover; Title; Contents; Acknowledgements; Introduction; 1 Darwin, early cinema and the origin of uncanny narrative forms; 2 Darwin's pre-cinematic eye: evolution and metamorphosis in Dr Jekyll and Mr Hyde; 3 The future of evolution: science fiction, deep time and alien species; 4 Evolutionary aesthetics: the Hollywood musical as Darwinian mating game; 5 The Darwinian gaze: sexual display, sexual selection and the femme fatale; 6 Devolutionary aesthetics and the early detective film: in search of the 'missing link'; 7 The unheimlich Pacific of popular film: Darwin's surreal imagination.
|
505 |
8 |
|
|a 8 What do animals dream of? Or King Kong as Darwinian screen animal9 A Darwinian love story: Oshima's Max Mon Amour; References; Index; Copyright.
|
520 |
|
|
|a 'Barbara Creed's intriguing study offers more than new insights into the origins of the cinema. Even more ambitious, it offers an alternative history of Western film as seen through the lens of Darwinism.'-Professor Jonathan Smith, University of Michigan, author of Charles Darwin and Victorian Visual Culture 'The central argument of Darwin's Screens is delivered with a breadth and scope of vision that leaves the reader in little doubt that Creed's study will have a significant impact on our understanding of contemporary cinema.'-Professor Tony Bennett, The Open University, author of The Bir.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Evolution in motion pictures.
|
650 |
|
0 |
|a Sexual role in motion pictures.
|
650 |
|
0 |
|a Femmes fatales in motion pictures.
|
650 |
|
6 |
|a Évolution au cinéma.
|
650 |
|
7 |
|a Evolution in motion pictures
|2 fast
|
650 |
|
7 |
|a Femmes fatales in motion pictures
|2 fast
|
758 |
|
|
|i has work:
|a Darwin's screens (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFX3ktthCtwHVdfjcjQ3w3
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Creed, Barbara.
|t Darwin's Screens.
|d Melbourne : Melbourne University Press, ©2009
|z 9780522857092
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=5718729
|z Texto completo
|
936 |
|
|
|a BATCHLOAD
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL1562988
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2231948
|
994 |
|
|
|a 92
|b IZTAP
|