Cargando…
A Measured Pace : Toward a Philosophical Understanding of the Arts of Dance.
A Measured Pace is a wide-ranging and substantial contribution to a philosophical understanding of dance.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
1995.
|
| Edición: | 2nd ed. |
| Colección: | Toronto studies in philosophy.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn958572068 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 160917s1995 onc o 000 0 eng d | ||
| 040 | |a EBLCP |b eng |e pn |c EBLCP |d OCLCO |d OCLCQ |d MERUC |d ZCU |d ICG |d OCLCO |d OCLCQ |d OCLCF |d TKN |d DKC |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO | ||
| 020 | |a 9781442677159 | ||
| 020 | |a 1442677155 | ||
| 035 | |a (OCoLC)958572068 | ||
| 050 | 4 | |a GV1588.S64 | |
| 082 | 0 | 4 | |a 792.801 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Sparshott, F. E. | |
| 245 | 1 | 2 | |a A Measured Pace : |b Toward a Philosophical Understanding of the Arts of Dance. |
| 250 | |a 2nd ed. | ||
| 260 | |a Toronto : |b University of Toronto Press, |c 1995. | ||
| 300 | |a 1 online resource (599 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Toronto Studies in Philosophy | |
| 588 | 0 | |a Print version record. | |
| 520 | |a A Measured Pace is a wide-ranging and substantial contribution to a philosophical understanding of dance. | ||
| 505 | 0 | |a Intro -- Contents -- Preface -- 1 Introduction -- PART ONE: Kinds of Dance -- 2 The Problem of Classification -- 2.1 How Showbiz Did It -- 2.2 How Libraries Do It -- 2.3 Dances as Individuals -- 2.4 Dimensions of Meaning -- 2.5 Quality and Context -- 3 Classification by Context -- 3.1 Self-defined and Other-defined -- 3.2 Forms of Life -- 3.3 Amateur and Professional -- 3.4 Regular and Irregular -- 3.5 Audiences -- 3.6 Dancers -- 3.7 The Context of Art -- 3.8 Motivations and Meanings -- 4 Mimesis -- 4.1 Quality: Intrinsic Classifications -- 4.2 Formal and Mimetic -- 5 Expression -- 5.1 Individual Expression -- 5.2 Social Expression -- 5.3 Being in the World -- 6 Formal Principles of Movement -- 6.1 Basic Movement Types -- 6.2 Recapitulation -- 7 Anatomy -- 7.1 Feet and Hands -- 7.2 Whole and Part -- 8 Units and Systems -- 8.1 Units of Movement -- 8.2 Movement Systems -- 9 Rhythm -- 9.1 The Conceptual Question -- 9.2 The Basics -- 9.3 The Sources of Rhythm -- 9.4 Repetition, Pattern, and Flow -- 9.5 More Conceptual Questions -- 9.6 The Uniqueness of Rhythms in Art -- 10 One and Many -- 10.1 One among Many -- 10.2 Groups -- 10.3 Chorus and Solo -- 10.4 Couples -- 10.5 Conclusion -- 11 Modes of Dance Organization -- 11.1 Narrative -- 11.2 Music -- 11.3 Dance Form -- 11.4 Conclusion -- PART TWO: Dance and Related Fields -- 12 Dance and Music -- 12.1 Symbiosis -- 12.2 The Art of Dance and the Art of Music -- 12.3 The Relation of a Dance to Its Music -- 12.4 Music Structure and Dance Structure -- 13 Dance and Language -- 13.1 Verbal Mediation -- 13.2 Gesture -- 13.3 Dancing and Talking -- 13.4 What Is Language? -- 13.5 The Semiological Extension -- 14 Dance and Theatre -- 14.1 Performing Arts -- 14.2 Dance and Drama -- 14.3 Dance and Scene -- PART THREE: Aspects of Dance -- 15 Dance Values -- 15.1 Singularities -- 15.2 Generalities. | |
| 505 | 8 | |a 15.3 Dance Criticism -- 15.4 Conclusion -- 16 Dancer and Spectator -- 17 Learning to Dance -- 17.1 Learning Dances -- 17.2 Learning Dancing -- 17.3 Learning to Dance for the Public -- 17.4 From the Particular to the General -- 17.5 The Solitary Dancer -- 17.6 Conclusion -- 18 Dance and Choreography -- 18.1 The Basic Hierarchy -- 18.2 Composition and Execution -- 18.3 Choreography and the Dimensions of Dance -- 18.4 What Choreographers Need to Know -- 18.5 The Necessity of Choreography -- 18.6 Margins of Choreography -- 19 The Identity of a Dance -- 19.1 Dance and Dancer -- 19.2 Performance Type and Performance Token -- 19.3 Performance and Performing -- 19.4 The Identity of a Dance -- 20 Recording Dance -- 20.1 Score and Transcription -- 20.2 Notation -- 20.3 Film and Video -- 20.4 Conclusion -- 21 Conclusion -- 22 Afterword: The Three Graces -- Notes -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Dance |x Philosophy. | |
| 650 | 6 | |a Danse |x Philosophie. | |
| 650 | 7 | |a Dance |x Philosophy |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Sparshott, F.E. |t A Measured Pace : Toward a Philosophical Understanding of the Arts of Dance. |d Toronto : University of Toronto Press, ©1995 |z 9780802069467 |
| 830 | 0 | |a Toronto studies in philosophy. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4671717 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4671717 | ||
| 994 | |a 92 |b IZTAP | ||