Comrades and Critics : Women, Literature, and the Left in 1930s Canada.
Comrades and Critics is the first full-length study of Canada's 1930s literary left.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Toronto :
University of Toronto Press,
2009.
|
Edición: | 2nd ed. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Acknowledgments
- Abbreviations
- Introduction: The Socialist-Modernist Encounter
- Women, Modernism, and Socialism
- Dialectics of Scarcity and Abundance
- The Literary Left and the Field of Cultural Production
- 1 Revolution, Gender, and Third Period Modernism
- Dorothy Livesay and the Third Period
- Communist Periodicals and Counterpublics
- The Revolutionary Chorus
- The Social Work of Documentary Poetry
- 2 The Poet, the Public, and Popular Front Modernism
- The Dustbowl and the Spanish Civil War
- Popular Front Periodicals and Poetics
- Anne Marriott's The Wind Our Enemy: A Modernist Poem
- Anne Marriott's The Wind Our Enemy: A Popular Front Poem
- 3 Leftist Theatre and the Performance of Gender
- The Socialist Stage and Amateur Theatre
- Reconstructing Leftist Performances
- Women and the Communist Stage
- The Comradely Ideal and Social Democratic Drama
- 4 The Novel and Documentary Modernism
- Irene Baird's Waste Heritage and Mass Unemployment
- Documentary Modernism
- Radical Manhood in Waste Heritage
- Writing Women, Reading Men
- Conclusion: New Formations
- the Second World War and Beyond
- Notes
- Works Cited
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- U
- V
- W
- Y.