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Drawn from Life : Science and Art in the Portrayal of the New World.
An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
1998.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Dickenson, Victoria. | |
| 245 | 1 | 0 | |a Drawn from Life : |b Science and Art in the Portrayal of the New World. |
| 260 | |a Toronto : |b University of Toronto Press, |c 1998. | ||
| 300 | |a 1 online resource (341 pages) | ||
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| 588 | 0 | |a Print version record. | |
| 520 | |a An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers. | ||
| 505 | 0 | |a Intro -- CONTENTS -- LIST OF PLATES -- PREFACE -- ACKNOWLEDGMENTS -- Introduction: The Bittern from Hudson's-Bay -- Chapter 1: Emblematic Animals -- Glimpses of the New World: Early Maps of North America -- Marks and Emblems: Claiming a New World -- Words into Pictures: The Su, the Bison, and the Simivulpa -- Chapter 2: Naturalism and the Counterfeit of Nature -- The Development of Naturalism -- The Representation as Counterfeit -- Translating the Image: The Value of Repeated Pictorial Statement -- Chapter 3: The Living Image -- Cornut and the Canadensium Plantarum -- The Herbal Tradition -- The Sea of Simples -- The Book of God's Works: The Garden in Print -- Cornut and Charlevoix -- Chapter 4: The Redefinition of Landscape -- ... a vast and prodigious Cadence of Water -- The Conventions of Landscape -- The Deer Park -- The Imposition of Order -- Meta Incognita -- Chapter 5: The Classification of the Visible: Part One -- The Classical Tradition -- The Exploration of the New World -- The Importance of Preservation -- Chapter 6: The Classification of the Visible: Part Two -- Copiers of Nature -- 'The Invention of the Present Age' -- The Universal Language -- Truth and Observation -- Chapter 7: A Country Observed -- No extravagant wonders ... -- Animated Nature -- Joseph Banks and the Cook Expeditions -- The First Franklin Overland Expedition, 1819-1822 -- Conclusion: Drawing and Nature -- Notions of Nature -- The Role of Drawing -- Chronology -- Dominant Purpose -- Context -- Cognitive Anchorage -- NOTES -- BIBLIOGRAPHY -- CREDITS -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Natural history illustration |z Europe |x History. | |
| 650 | 0 | |a Natural history illustration |z North America |x History. | |
| 650 | 0 | |a Art and science |x History. | |
| 650 | 6 | |a Illustration en sciences naturelles |z Europe |x Histoire. | |
| 650 | 6 | |a Illustration en sciences naturelles |z Amérique du Nord |x Histoire. | |
| 650 | 6 | |a Art et sciences |x Histoire. | |
| 650 | 7 | |a SCIENCE |x History. |2 bisacsh | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Ecotourism. |2 bisacsh | |
| 650 | 7 | |a NATURE |x Reference. |2 bisacsh | |
| 650 | 7 | |a NATURE |x Essays. |2 bisacsh | |
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| 650 | 7 | |a Natural history illustration |2 fast | |
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| 758 | |i has work: |a Drawn from life (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFVJ6Xg9VHkppPjH6xbqkP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Dickenson, Victoria. |t Drawn from Life : Science and Art in the Portrayal of the New World. |d Toronto : University of Toronto Press, ©1998 |z 9780802080738 |
| 830 | 0 | |a Book collections on Project MUSE. | |
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