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Audio Processes : Musical Analysis, Modification, Synthesis, and Control.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Milton :
Taylor and Francis,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title; Copyright; Contents; Abbreviations; Preface; Acknowledgements; Chapter 1 Introduction; 1.1 The Nature of Audio Processes; 1.1.1 Introducing Audio Processes; 1.1.2 Constructing an Audio Process; 1.1.3 Real-Time and Non-Real-Time Systems; 1.1.4 Audio Process Themes; 1.2 Example Audio Process Systems; 1.2.1 Playing an Acoustic Instrument; 1.2.2 Combining Two Paths; 1.2.3 Automated Analysis; 1.2.4 Two Humans Working Together; PART I
- ANALYSIS; Chapter 2 Audio Data Fundamentals; 2.1 The Nature of Sound; 2.1.1 Sound in the Time Domain.
- 2.1.2 Cycle Length, Frequency, and Amplitude2.1.3 Construction and Deconstruction with Sinusoids; 2.2 Sound as Numbers; 2.2.1 Overview; 2.2.2 Sampling Continuous Data; 2.2.3 A Complete Digital Audio System; 2.2.4 Choosing a Sample Rate; 2.2.5 Amplitude; Chapter 3 Time Domain Analysis; 3.1 Basic Concepts; 3.1.1 Continuum of Sound Character; 3.1.2 Harmonic Sounds; 3.1.3 Inharmonic Sounds; 3.1.4 Phase Effects; 3.2 Dynamic Sound Character; 3.2.1 Chime Bar; 3.2.2 Amplitude Envelopes; 3.2.3 Dynamic Waveform Changes; 3.2.4 Oboe; 3.2.5 Vibraphone; 3.2.6 Piano; 3.2.7 Tubular Bell.
- 3.2.8 Vocal ""sh"" and ""f"" Sounds3.3 Using Time Domain Information; 3.4 Learning More; Chapter 4 Frequency Domain Analysis; 4.1 Introduction; 4.2 Static and Average Sound Character; 4.2.1 Spectral Form; 4.2.2 Frequency Domain Analysis of Simple Waveform Shapes; 4.2.3 Average Spectrum Analysis Examples; 4.3 Dynamic Sound Character; 4.3.1 Representing Three Dimensions; 4.3.2 Simple Spectrogram Examples; 4.3.3 More Complex Spectrogram Examples; 4.4 Using Frequency Domain Information; 4.5 Learning More; PART II
- MODIFICATION; Chapter 5 Basic Modifications; 5.1 Introduction.
- 5.2 Signal Flow Control5.3 Amplitude Control; 5.3.1 Simple Amplitude Control; 5.3.2 Two Channel Amplitude Control; 5.3.3 Naturalistic Amplitude Control; 5.3.4 Working with Decibels; 5.4 Mixing; 5.5 Pan Control and Stereo Balance; 5.5.1 Monophonic and Stereophonic Signals; 5.5.2 Panning; 5.5.3 Stereo Balance; 5.6 Combination of Elements; 5.6.1 Ordering; 5.6.2 Series and Parallel Forms; 5.6.3 Practical Combination Examples; 5.7 Developing Processes and Learning More; Chapter 6 Filtering; 6.1 Introduction; 6.1.1 Filters and Audio Processes; 6.1.2 Filtering arid Acoustic Sound Sources.
- 6.1.3 Musical Frequency Ranges6.1.4 Frequency (Magnitude) Responses; 6.2 Standard Filters; 6.2.1 Lowpass and Highpass Filters; 6.2.2 Bandpass and Bandreject Filters; 6.2.3 Comb and Allpass Filters; 6.2.4 Variations in Filter Responses; 6.3 Filter Combinations; 6.3.1 Common Series and Parallel Forms; 6.3.2 Subtractive Techniques; 6.4 Filter Designs; 6.4.1 Introduction; 6.4.2 Lowpass and Highpass Designs; 6.4.3 Bandpass and Bandreject Designs; 6.4.4 Comb and Allpass Designs; 6.5 Developing Processes and Learning More; Chapter 7 Distortion; 7.1 Introduction.