|
|
|
|
LEADER |
00000cam a2200000Mi 4500 |
001 |
EBOOKCENTRAL_ocn958566615 |
003 |
OCoLC |
005 |
20240329122006.0 |
006 |
m o d |
007 |
cr |n|---||||| |
008 |
160917s2016 xx o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d REDDC
|d OCLCF
|d OCLCO
|
020 |
|
|
|a 9781317329183
|
020 |
|
|
|a 131732918X
|
035 |
|
|
|a (OCoLC)958566615
|
050 |
|
4 |
|a MT723
|b .C743 2017
|
082 |
0 |
4 |
|a 786.7
|q OCoLC
|2 23/eng/20230216
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Creasey, David.
|
245 |
1 |
0 |
|a Audio Processes :
|b Musical Analysis, Modification, Synthesis, and Control.
|
260 |
|
|
|a Milton :
|b Taylor and Francis,
|c 2016.
|
300 |
|
|
|a 1 online resource (752 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Cover; Half Title; Title; Copyright; Contents; Abbreviations; Preface; Acknowledgements; Chapter 1 Introduction; 1.1 The Nature of Audio Processes; 1.1.1 Introducing Audio Processes; 1.1.2 Constructing an Audio Process; 1.1.3 Real-Time and Non-Real-Time Systems; 1.1.4 Audio Process Themes; 1.2 Example Audio Process Systems; 1.2.1 Playing an Acoustic Instrument; 1.2.2 Combining Two Paths; 1.2.3 Automated Analysis; 1.2.4 Two Humans Working Together; PART I -- ANALYSIS; Chapter 2 Audio Data Fundamentals; 2.1 The Nature of Sound; 2.1.1 Sound in the Time Domain.
|
505 |
8 |
|
|a 2.1.2 Cycle Length, Frequency, and Amplitude2.1.3 Construction and Deconstruction with Sinusoids; 2.2 Sound as Numbers; 2.2.1 Overview; 2.2.2 Sampling Continuous Data; 2.2.3 A Complete Digital Audio System; 2.2.4 Choosing a Sample Rate; 2.2.5 Amplitude; Chapter 3 Time Domain Analysis; 3.1 Basic Concepts; 3.1.1 Continuum of Sound Character; 3.1.2 Harmonic Sounds; 3.1.3 Inharmonic Sounds; 3.1.4 Phase Effects; 3.2 Dynamic Sound Character; 3.2.1 Chime Bar; 3.2.2 Amplitude Envelopes; 3.2.3 Dynamic Waveform Changes; 3.2.4 Oboe; 3.2.5 Vibraphone; 3.2.6 Piano; 3.2.7 Tubular Bell.
|
505 |
8 |
|
|a 3.2.8 Vocal ""sh"" and ""f"" Sounds3.3 Using Time Domain Information; 3.4 Learning More; Chapter 4 Frequency Domain Analysis; 4.1 Introduction; 4.2 Static and Average Sound Character; 4.2.1 Spectral Form; 4.2.2 Frequency Domain Analysis of Simple Waveform Shapes; 4.2.3 Average Spectrum Analysis Examples; 4.3 Dynamic Sound Character; 4.3.1 Representing Three Dimensions; 4.3.2 Simple Spectrogram Examples; 4.3.3 More Complex Spectrogram Examples; 4.4 Using Frequency Domain Information; 4.5 Learning More; PART II -- MODIFICATION; Chapter 5 Basic Modifications; 5.1 Introduction.
|
505 |
8 |
|
|a 5.2 Signal Flow Control5.3 Amplitude Control; 5.3.1 Simple Amplitude Control; 5.3.2 Two Channel Amplitude Control; 5.3.3 Naturalistic Amplitude Control; 5.3.4 Working with Decibels; 5.4 Mixing; 5.5 Pan Control and Stereo Balance; 5.5.1 Monophonic and Stereophonic Signals; 5.5.2 Panning; 5.5.3 Stereo Balance; 5.6 Combination of Elements; 5.6.1 Ordering; 5.6.2 Series and Parallel Forms; 5.6.3 Practical Combination Examples; 5.7 Developing Processes and Learning More; Chapter 6 Filtering; 6.1 Introduction; 6.1.1 Filters and Audio Processes; 6.1.2 Filtering arid Acoustic Sound Sources.
|
505 |
8 |
|
|a 6.1.3 Musical Frequency Ranges6.1.4 Frequency (Magnitude) Responses; 6.2 Standard Filters; 6.2.1 Lowpass and Highpass Filters; 6.2.2 Bandpass and Bandreject Filters; 6.2.3 Comb and Allpass Filters; 6.2.4 Variations in Filter Responses; 6.3 Filter Combinations; 6.3.1 Common Series and Parallel Forms; 6.3.2 Subtractive Techniques; 6.4 Filter Designs; 6.4.1 Introduction; 6.4.2 Lowpass and Highpass Designs; 6.4.3 Bandpass and Bandreject Designs; 6.4.4 Comb and Allpass Designs; 6.5 Developing Processes and Learning More; Chapter 7 Distortion; 7.1 Introduction.
|
500 |
|
|
|a 7.1.1 Avoiding and Creating Distortion.
|
590 |
|
|
|a ProQuest Ebook Central
|b Ebook Central Academic Complete
|
650 |
|
0 |
|a Computer sound processing.
|
650 |
|
0 |
|a Music
|x Computer programs.
|
650 |
|
6 |
|a Son
|x Traitement par ordinateur.
|
650 |
|
6 |
|a Musique
|x Logiciels.
|
650 |
|
7 |
|a Computer sound processing
|2 fast
|
650 |
|
7 |
|a Music
|x Computer programs
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Creasey, David.
|t Audio Processes : Musical Analysis, Modification, Synthesis, and Control.
|d Milton : Taylor and Francis, ©2016
|z 9781138100114
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=4684178
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL4684178
|
994 |
|
|
|a 92
|b IZTAP
|