McLuhan, or Modernism in Reverse.

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McLuhan, or Modernism in Reverse thus aims to retrace and synthesize McLuhan's work in order to illuminate his unexpected meaning and value for critical practice today.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Willmott, Glenn
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto : University of Toronto Press, 1996.
Colección:Theory/culture series.
Temas:
McLuhan, Marshall, > 1911-1980 > Criticism and interpretation.
McLuhan, Marshall, > 1911-1980.
McLuhan, Marshall, > 1911-1980
Mass media > Philosophy.
Mass media criticism.
Modernism (Aesthetics)
Postmodernism.
Médias > Philosophie.
Médias > Évaluation.
Modernisme (Esthétique)
Postmodernisme.
Postmodernism
Mass media > Philosophy
Mass media criticism
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • CONTENTS
  • ACKNOWLEDGMENTS
  • INTRODUCTION: McLuhan's Medium
  • Part I. Modernism: Reversing the Message
  • 1 The Art of Criticism
  • A Historical Aesthetic
  • Eliot: The Self as History
  • Richards and Leavis: Plasticity and Modernity
  • McLuhan's New Criticism
  • In America
  • 2 The Art of Montage
  • Eisenstein: The Image as Crime, and Its Reconstruction
  • Lewis: Self-Images Forwards and Backwards
  • Modernism as Mimesis
  • Pound: The Scene of the Crime, and Its Translation
  • Defining Techne
  • 3 Symbolic Reversals
  • The Interior Landscape: Its Arrest, Projection, Retracing
  • The Reversal of Interiority: Landscapes of the Self beyond Itself
  • Political Implications
  • 4 The Art of Politics
  • Situations in America
  • Mythic America: North and South
  • McLuhan's Formalist Politics
  • 5 Technological Reversals
  • Mumford: Techne as Nature
  • Giedion: Techne as Text
  • Innis: Techne as History
  • From Techne to Media
  • Part II. Postmodernism: Reversing the Global Village
  • 6 The Modern Primitive
  • Myth in the Global Village
  • The Mythic Self: Being in the Word as in History
  • The Mythic Mask: Primitivism and Modernity
  • 7 The Postmodern Mask
  • Publication
  • Mediatization
  • McLuhan as Art
  • McLuhan as Business
  • Commodification
  • The 'Put-On'
  • Media: The Use of the Cliché
  • Happenings: The Use of the Archetype
  • 8 The Postmodern Medium
  • From Work to Text
  • Surfacing
  • Historicity without History
  • Terror and Euphoria
  • The Global Medium
  • 9 Being There
  • Fictionalism
  • Heidegger: Mediating Being
  • Grant: Nature and Deprival
  • Belonging to Counter-Culture
  • Negotiating Canadianicity
  • CONCLUSION: McLuhan's Message
  • NOTES
  • WORKS CITED
  • INDEX
  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • R
  • S
  • T
  • U
  • V
  • W
  • Y
  • Z.

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