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The Inglorious Arts of Peace : Exhibitions in Canadian Society during the Nineteenth Century.
The exhibition was one of the great nineteenth-century projects for improving the world. Combining the Victorian virtues of communication, co-operation, and competition, it promised to advertise the choice products of civilization to a receptive public.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
1999.
|
| Edición: | 74th ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro
- Contents
- Acknowledgments
- Introduction
- 1 The Theory of the Exhibition: An Overview
- Part One: Exhibitions in Central Canada
- 2 The Early History of Exhibitions in Canada, 1789-1837
- 3 Exhibitions as Politics in Central Canada, 1841-1891
- 4 The Provincial Exhibitions and Economic Development, 1846-1893
- 5 Exhibition Culture
- Part Two: Canada at the International Exhibitions
- 6 International Exhibitions and Canadian Nationality, 1851-1867
- 7 Exhibitions in Europe after Confederation and the Commodification of Canada
- 8 Exhibitions in America after Confederation and the Commodification of Everything
- Part Three: Exhibitions and Identities
- 9 Women and the Political Economy of Exhibitions
- 10 Making a Spectacle: Exhibitions of the First Nations
- Conclusion
- Appendix: Tables
- Notes
- Note on Sources
- Illustration Credits
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z.