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Sound Alliances : Indigenous Peoples, Cultural Politics, and Popular Music in the Pacific.
"An anthology of essays on the new syncretic, or 'fusion', styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity. Its strength lies in the layering up of a sense of community of inquiry, and...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
1998.
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| Colección: | Cultural Studies: Bloomsbury Academic Collections.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half-title; Title; Copyright; Contents; About the Authors; Acknowledgements; Introduction: Beyond the Axis; Notes; PART I: Music, Identity and Cultural Politics; 1 Tjungaringanyi: Aboriginal Rock (1971-91); The traditional-contemporary problem; Country and Western, and CAAMA; Receiving rock; CASM, No Fixed Address and the silent majority; Coloured Stone; Liminal temporality; Culture as rock; Fusion; Notes; 2 He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand; Pacific hybridization; Maori reggae and historical rhetoric; Biculturalism and its discontents.
- From pop to rock to rapNotes; Discography; 3 Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia; Introduction; Indigenization; Socio-political and musical factors in the development of kaneka; Jémàà: a case study; Indigenization as cultural construction; Notes; Videography; Discography; 4 Koori Music in Melbourne: Culture, Politics and Certainty; Introduction; The Koori music network; Koori music and its contexts; Urban Koori song themes and styles; Innovation and creativity; Notes; Discography; 5 Jawaiian Music and Local Cultural Identity in Hawai'i; Notes.
- VideographyDiscography; 6 Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music; Hula hits; Local music; Local charts; Conclusions; Notes; Discography; PART II: Music, Commerce and the Media Industries; 7 Developments in Papua New Guinea's Popular Music Industry; Introduction; A brief history of PNG popular music; Mediating the music; Towards the millennium; Notes; 8 Questions of Music Copyright in Papua New Guinea; Notes; Discography; 9 Te Wa Whakapaoho i te Reo Irirangi: Some Directions in Maori Radio; Music and youth; Localism and networking; News and sport.
- Current issuesConclusion; Glossary; Notes; 10 A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea; Context; The emergence of PNG music video; Productions; Notes; Videography; 11 The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid-1990s; Multicultural noise: Auckland hip-hop; Notes; Discography; PART III: Access to the Mainstream: The Case of Yothu Yindi; 12 Yothu Yindi: Context and Significance; Notes; Discography; 13 Culture, Custom and Collaboration: The Production of Yothu Yindi's Treaty' Videos; 'Treaty I'
- 'Treaty II'
- The Filthy Lucre Remix'Treaty I' to 'Treaty II'
- changes and criticisms; Notes; 14 Safe, Exotic and Somewhere Else: Yothu Yindi, Treaty' and the Mediation of Aboriginality; Notes; 15 Yothu Yindi: Agendas and Aspirations; Introduction; Yothu Yindi as a product; Yothu Yindi as a process; Conclusion; Acknowledgments; Notes; Bibliography; Index.