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Heroines without Heroes : Reconstructing Female and National Identities in European Cinema, 1945-51.
"This anthology explores a little-examined period of European film history (1945-1951) and places gender at the centre of struggles around national identity. Ulrike Sieglohr compares and contrasts the post-war cinemas of Britain, France, Germany, Italy, and Spain in order to examine how represe...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Bloomsbury Publishing,
2016.
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| Colección: | Film Studies: Bloomsbury Academic Collections.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Siehlohr, Ulrike. | |
| 245 | 1 | 0 | |a Heroines without Heroes : |b Reconstructing Female and National Identities in European Cinema, 1945-51. |
| 260 | |a London : |b Bloomsbury Publishing, |c 2016. | ||
| 300 | |a 1 online resource (242 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film Studies: Bloomsbury Academic Collections | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Title; Copyright; Contents; Contributors; Acknowledgements; Dedication; Introduction; Thinking through a period of reconstruction; Structure and methodology; Key issues; Conclusion; Notes; Britain; Chapter One Post-war Choices and Feminine Possibilities; Notes; Filmography; Chapter Two A Place of One's Own} Margaret Lockwood and British Film Stardom in the 1940s; Money, profession/employment and class; Motherhood; Alter egos and split personalities; Conclusion; Filmography; France; Chapter Three Evil Women in the Post-war French Cinema; Introduction; The Resistance cycle. | |
| 505 | 8 | |a Noir realism and misogynyMinority representations; Conclusion; Filmography; Chapter Four From Stardom to Eclipse: Micheline Presle and Post-war French Cinema; Note; Filmography; Chapter Five The Tainted Woman: Simone Signoret, Site of Pathology or Agent of Retribution?; Dédée d'Anvers: agencing desire and retribution; Maneges: the malevolence of desire; Conclusion; Note; Filmography; Germany; Chapter Six Sweeping up the Past: Gender and History in the Post-war German 'Rubble Film'; The rubble film and gender; Masculinity and memory; Women, memory and history; Mourning and gender. | |
| 505 | 8 | |a From rubble film to New German CinemaAcknowledgements; Notes; Filmography 1946-9; Chapter Seven Hildegard Knef: From Rubble Woman to Fallen Woman; Introduction; Biography of an emerging star; Knef's films and their historical reception; Appropriations; Historicizing Knef; Conclusion; Acknowledgements; Notes; Filmography; Italy; Chapter Eight What about Women? Italian Films and Their Concerns; Introduction; The early 1940s; Neo-realism; Conclusion; Filmography; Chapter Nine Woman of Rome: Anna Magnani; Notes; Filmography; Spain. | |
| 505 | 8 | |a Chapter Ten Feminizing the Nation: Women, Subordination and Subversion in Post-Civil War Spanish CinemaIntroduction; Female stars; Folkloric musicals; War and missionary films; Historical epics; Costume drama; Film noir; Conclusion; Notes; Filmography; Chapter Eleven Ana Mariscal: Franco's Disavowed Star; Mariscal's times; Mariscal's voice; Acknowledgements; Note; Filmography; References; Further Reading; Index. | |
| 520 | |a "This anthology explores a little-examined period of European film history (1945-1951) and places gender at the centre of struggles around national identity. Ulrike Sieglohr compares and contrasts the post-war cinemas of Britain, France, Germany, Italy, and Spain in order to examine how representations of women in this period emerged from specific national contexts. She further analyzes the appeal of particular stars and the political and social conditions that contributed to their popularity."-- |c Provided by publisher | ||
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| 650 | 0 | |a Women in motion pictures. | |
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| 650 | 6 | |a Femmes au cinéma. | |
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| 650 | 7 | |a Women in motion pictures |2 fast | |
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| 700 | 1 | |a Sieglohr, Ulrike. | |
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| 776 | 0 | 8 | |i Print version: |a Siehlohr, Ulrike. |t Heroines without Heroes : Reconstructing Female and National Identities in European Cinema, 1945-51. |d London : Bloomsbury Publishing, ©2016 |z 9780304702497 |
| 830 | 0 | |a Film Studies: Bloomsbury Academic Collections. | |
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